Life-sized white marble bust of a man dressed in high collared shirt and coat with fur collar. The bust has an incorporated rectangular pedestal.

Extended bust-length portrait with body turned slightly to the right, in front of a brown background. The subject has black hair, a black beard and moustache, brown eyes, and a rosy complexion. He wears a dark blue Navy uniform with six brass buttons, epaulettes, and a black cravat. Unsigned and undated.

Obverse: bas-relief profile portrait of Elisha Kent Kane; "DR. E.K. KANE" along perimeter, and "KEY" below portrait. Reverse: not worked; mirror imprint of obverse visible.

Three-quarter length portrait of a seated figure with body turned to the left, in front of an unfinished brown and tan background. The figure holds his head in his left hand and his right hand holds the pages of an open book. He has white, receding hair, brown eyes, and a rosy complexion. He wears a black coat with a white collar and bow, open at the throat. A pair of spectacles rests on his forehead. The figure is seated in a wooden armchair and in the lower left corner, against the chair, are three books and a portfolio, resting on a table. Unsigned and undated.

Bust-length portrait with body turned slight to to the left and head facing forward, in front of brown, shaded background. Subject has shoulder-length, gray hair and brown eyes. He is wearing a dark-green coat with a white neckcollar. Unsigned and undated on front.

Oval, frontal portrait bust of John Fothergill in center with "JOHN FOTHERGILL. MD.F.R.S." outside bottom perimeter. Signed "Rd. Livesay pincr" and "F. Bartolozzi sculp" along bottom perimeter. At bottom in script: "Cui suas artes, sua dona laetus Et herbam et Venae salientis ictum Scire concessit, celerem et medendi Delius usum." "From a Bust in the Possession of Dr. Lettsom" at bottom. In gilt, wooden frame under glass.

Half-length seated figure, shown in profile against a tan and brown background. The sitter wears a black suit and waistcoat, a white shirt, a maroon tie run through a ring, and a gold watch chain. Signed: "H. Ulke" in lower right corner.

Three-quarter-length seated figure, right hand grasping chair arm, left elbow leaning on chair arm, left hand holding tassled mortar board in lap. The sitter wears a black suit and white collared shirt under scarlet academic robes. In his lapel is a red rosette. Behind the figure is the back of an armchair with red-brown upholstery (perhaps leather) and wooden arms. On the right margin is a bust of Benjamin Franklin on a brown pedestal. Signed: "Robt. Vonnoh 1912-c-" lower left corner.

Half-length seated figure, turned left. He wears a black coat and waistcoat, and a white collar, neckcloth and ruffle, with gold spectacles pushed back onto forehead. Black-brown background.

Bronze head and neck of sitter, turned slightly to left. Hollow cast, bolted to a black, rectangular, stone base. The bronze has a reddish-brown patina. Inscribed on collar at verso: "Joy Buba 75."

This dissertation focuses on the repeal of licensing laws in order to gauge the effectiveness of institutions in regulating the profession, to suggest reasons why the institutions failed, and to determine whether some non-institutional form of direction was present.

These are sixty letters to William Clark, a physician in London and Bradford, Wiltshire.