The "Bedawin" diaries are contained in two typed volumes. In a prefatory note dated February 1919, Albert M. Lythgoe, founder of the department of Egyptian art at the Metropolitan Museum of Art, justifies copying the journal to ensure that, "we might have on record in the Egyptian Department of the Museum the many facts which it contains relative to the archaeological work of Theodore M. Davis." He adds that the entries provide a "charming description" of "river-life on the 'Bedawin'" (February 1919).
 
In addition to recording the weather, travel, lodging, and sights, Andrews's entries also provide accounts of accidents (e.g. 1/5/1890, 5/4/1897, 1/26/1912), discoveries (1/27/00), and the education (2/3/1902, 1/14/1903), work (1/3/1893), diet (1/1/1890, 3/12/1893), attire (1/7/1890), diseases (12/12/1900), burial grounds (1/20/1890), and religion (2/28/1893) of the peoples who inhabit the Nile.
 
Not unsurprisingly, her entries evince her colonial sympathies. For example, she describes the salubrious effects of English officers of their Egyptian counterparts: "[the] influence of the English officers commanding [the army], was a potent engine for civilization and good" (1/24/1890). On passing some dead orange groves, she notes, "This is why Egyptians and Egypt will always need some intelligent domineering" (3/21/1899).
 
Despite those biases, Andrews is continuously charmed by her surroundings, lavishing lyrical descriptions upon Egyptian pyramids (12/14/1892), ruins (1/8/1890, 1/21/1890), hieroglyphics (2/2/1890), and the Nile (2/3/1900). Researchers interested in turn of the century Europe will also be rewarded with detailed accounts of Rome (3/21/1890, 4/19/93), Paris (5/23/1893), and London (6/8/1893).
 
For those seeking still more detail and context, visit the Emma B. Andrews Diary Project: http://www.emmabandrews.org/

While accompanying Theodore M. Davis on numerous archaeological trips to Egypt in the fin de siecle, Emma B. Andrews maintained a detailed diary between 1889-1913, which furnish researchers with cultural and archaeological insights into colonial Egypt and early-twentieth century Italy.
 
The "Bedawin" diaries are contained in two typed volumes. In a prefatory note dated February 1919, Albert M. Lythgoe, founder of the department of Egyptian art at the Metropolitan Museum of Art, justifies copying the journal to ensure that, "we might have on record in the Egyptian Department of the Museum the many facts which it contains relative to the archaeological work of Theodore M. Davis." He adds that the entries provide a "charming description" of "river-life on the 'Bedawin'" (February 1919).
 
In addition to recording the weather, travel, lodging, and sights, Andrews's entries also provide accounts of accidents (e.g. 1/5/1890, 5/4/1897, 1/26/1912), discoveries (1/27/00), and the education (2/3/1902, 1/14/1903), work (1/3/1893), diet (1/1/1890, 3/12/1893), attire (1/7/1890), diseases (12/12/1900), burial grounds (1/20/1890), and religion (2/28/1893) of the peoples who inhabit the Nile.
 
Not unsurprisingly, her entries evince her colonial sympathies. For example, she describes the salubrious effects of English officers of their Egyptian counterparts: "[the] influence of the English officers commanding [the army], was a potent engine for civilization and good" (1/24/1890). On passing some dead orange groves, she notes, "This is why Egyptians and Egypt will always need some intelligent domineering" (3/21/1899).
 
Despite those biases, Andrews is continuously charmed by her surroundings, lavishing lyrical descriptions upon Egyptian pyramids (12/14/1892), ruins (1/8/1890, 1/21/1890), hieroglyphics (2/2/1890), and the Nile (2/3/1900). Researchers interested in turn of the century Europe will also be rewarded with detailed accounts of Rome (3/21/1890, 4/19/93), Paris (5/23/1893), and London (6/8/1893).
 
For those seeking still more detail and context, visit the Emma B. Andrews Diary Project: http://www.emmabandrews.org/

The Grace E.B. Murphy Papers include two distinct sets of diaries. The first, a two-volume account of her trip to Venezuela (2/19-3/14/1952), provides detailed accounts of animals (especially birds), vegetation (including mangrove forests and mango groves), and accounts of the people, social life, and appearance of towns and cities, including Caracas. Those interested in conservation efforts might gravitate towards entries describing a visit to a jaguar hunting camp (e.g. 3/3/1952) and descriptions of the burgeoning oil industry (2/16/1952 and 3/7/1952). Entries pertaining to oil extraction are particularly noteworthy because they include on-the-ground accounts of oil wells and comparisons of U.S. foreign policy with regards to Venezuela and Iran. Researchers may find more detailed accounts in Murphy's typed notes contained in seven folders of "Vacation in Venezuela."
 
Murphy's excursion to Antarctica sprawls across four notebooks, though "No. I," which spans 1/26-2/15/1967, provides the most detailed and sequential account of her trip to Antarctica. Entries provide accounts of other travelers, social obligations, modes of transportation, scenery, wildlife (especially penguins), glaciers and icebergs, and destinations including Buenos Aires (1/26), Punta Arenas (1/28), and Antarctica (beginning 2/5). Perhaps most remarkable are Murphy's lyrical accounts of Antarctica (e.g. 2/2, 2/5, 2/6), candid reflections on her relationship with her husband, Robert (2/4, 2/8), and even her disability (1/29). (Those interested in disability studies might also reference the folders "Your Deafness is Not You," enclosed in the same box.)
 
"No. II" picks up on 2/11/1967 but continues through 3/31/1970 with some entries related to South Africa
 
while it includes several self-contained entries, most of this notebook is comprised of supplemental notes and questions. "No. III" includes still further miscellaneous notes as well as entries from the end of the Antarctic excursion, dates 2/16-21. Finally, a fourth volume, entitled "For Grace" contains accounts from 2/10, 2/15, 2/16, 2/18, and 2/19
 
however, the penmanship differs from the early notebooks and it is not immediately clear who authored these accounts. (It could very well be her husband, Robert).

Grace Murphy's diaries offer a limited but detailed account of her travels to Argentina, Antarctica, and Venezuela with her husband, Robert Cushman Murphy in six volumes chronicling the years 1952 and 1967-70. These notebooks ought to interest researchers examining mid-century conservation, disability studies (particular the deaf), excursions to Antarctica, Venezuela under military dictatorship, and the career of Robert Cushman Murphy (whose papers are also available at the American Philosophical Society).
 
The Grace E.B. Murphy Papers include two distinct sets of diaries. The first, a two-volume account of her trip to Venezuela (2/19-3/14/1952), provides detailed accounts of animals (especially birds), vegetation (including mangrove forests and mango groves), and accounts of the people, social life, and appearance of towns and cities, including Caracas. Those interested in conservation efforts might gravitate towards entries describing a visit to a jaguar hunting camp (e.g. 3/3/1952) and descriptions of the burgeoning oil industry (2/16/1952 and 3/7/1952). Entries pertaining to oil extraction are particularly noteworthy because they include on-the-ground accounts of oil wells and comparisons of U.S. foreign policy with regards to Venezuela and Iran. Researchers may find more detailed accounts in Murphy's typed notes contained in seven folders of "Vacation in Venezuela."
 
Murphy's excursion to Antarctica sprawls across four notebooks, though "No. I," which spans 1/26-2/15/1967, provides the most detailed and sequential account of her trip to Antarctica. Entries provide accounts of other travelers, social obligations, modes of transportation, scenery, wildlife (especially penguins), glaciers and icebergs, and destinations including Buenos Aires (1/26), Punta Arenas (1/28), and Antarctica (beginning 2/5). Perhaps most remarkable are Murphy's lyrical accounts of Antarctica (e.g. 2/2, 2/5, 2/6), candid reflections on her relationship with her husband, Robert (2/4, 2/8), and even her disability (1/29). (Those interested in disability studies might also reference the folders "Your Deafness is Not You," enclosed in the same box.)
 
"No. II" picks up on 2/11/1967 but continues through 3/31/1970 with some entries related to South Africa
 
while it includes several self-contained entries, most of this notebook is comprised of supplemental notes and questions. "No. III" includes still further miscellaneous notes as well as entries from the end of the Antarctic excursion, dates 2/16-21. Finally, a fourth volume, entitled "For Grace" contains accounts from 2/10, 2/15, 2/16, 2/18, and 2/19
 
however, the penmanship differs from the early notebooks and it is not immediately clear who authored these accounts. (It could very well be her husband, Robert).