The "Bedawin" diaries are contained in two typed volumes. In a prefatory note dated February 1919, Albert M. Lythgoe, founder of the department of Egyptian art at the Metropolitan Museum of Art, justifies copying the journal to ensure that, "we might have on record in the Egyptian Department of the Museum the many facts which it contains relative to the archaeological work of Theodore M. Davis." He adds that the entries provide a "charming description" of "river-life on the 'Bedawin'" (February 1919).
 
In addition to recording the weather, travel, lodging, and sights, Andrews's entries also provide accounts of accidents (e.g. 1/5/1890, 5/4/1897, 1/26/1912), discoveries (1/27/00), and the education (2/3/1902, 1/14/1903), work (1/3/1893), diet (1/1/1890, 3/12/1893), attire (1/7/1890), diseases (12/12/1900), burial grounds (1/20/1890), and religion (2/28/1893) of the peoples who inhabit the Nile.
 
Not unsurprisingly, her entries evince her colonial sympathies. For example, she describes the salubrious effects of English officers of their Egyptian counterparts: "[the] influence of the English officers commanding [the army], was a potent engine for civilization and good" (1/24/1890). On passing some dead orange groves, she notes, "This is why Egyptians and Egypt will always need some intelligent domineering" (3/21/1899).
 
Despite those biases, Andrews is continuously charmed by her surroundings, lavishing lyrical descriptions upon Egyptian pyramids (12/14/1892), ruins (1/8/1890, 1/21/1890), hieroglyphics (2/2/1890), and the Nile (2/3/1900). Researchers interested in turn of the century Europe will also be rewarded with detailed accounts of Rome (3/21/1890, 4/19/93), Paris (5/23/1893), and London (6/8/1893).
 
For those seeking still more detail and context, visit the Emma B. Andrews Diary Project: http://www.emmabandrews.org/

While accompanying Theodore M. Davis on numerous archaeological trips to Egypt in the fin de siecle, Emma B. Andrews maintained a detailed diary between 1889-1913, which furnish researchers with cultural and archaeological insights into colonial Egypt and early-twentieth century Italy.
 
The "Bedawin" diaries are contained in two typed volumes. In a prefatory note dated February 1919, Albert M. Lythgoe, founder of the department of Egyptian art at the Metropolitan Museum of Art, justifies copying the journal to ensure that, "we might have on record in the Egyptian Department of the Museum the many facts which it contains relative to the archaeological work of Theodore M. Davis." He adds that the entries provide a "charming description" of "river-life on the 'Bedawin'" (February 1919).
 
In addition to recording the weather, travel, lodging, and sights, Andrews's entries also provide accounts of accidents (e.g. 1/5/1890, 5/4/1897, 1/26/1912), discoveries (1/27/00), and the education (2/3/1902, 1/14/1903), work (1/3/1893), diet (1/1/1890, 3/12/1893), attire (1/7/1890), diseases (12/12/1900), burial grounds (1/20/1890), and religion (2/28/1893) of the peoples who inhabit the Nile.
 
Not unsurprisingly, her entries evince her colonial sympathies. For example, she describes the salubrious effects of English officers of their Egyptian counterparts: "[the] influence of the English officers commanding [the army], was a potent engine for civilization and good" (1/24/1890). On passing some dead orange groves, she notes, "This is why Egyptians and Egypt will always need some intelligent domineering" (3/21/1899).
 
Despite those biases, Andrews is continuously charmed by her surroundings, lavishing lyrical descriptions upon Egyptian pyramids (12/14/1892), ruins (1/8/1890, 1/21/1890), hieroglyphics (2/2/1890), and the Nile (2/3/1900). Researchers interested in turn of the century Europe will also be rewarded with detailed accounts of Rome (3/21/1890, 4/19/93), Paris (5/23/1893), and London (6/8/1893).
 
For those seeking still more detail and context, visit the Emma B. Andrews Diary Project: http://www.emmabandrews.org/