The Peale family is best known as a family of artists; however, family interests and activities were much more wide-ranging. The best known Peale is Charles Willson Peale (1741-1827, APS 1786), who produced more than one thousand paintings, including hundreds of portraits of leading Americans during the colonial and early national periods. Peale was married three times, to Rachel Brewster (1744-1790), Elizabeth de Peyster (1765-1804), and Hannah More (1755-1821). He had eighteen children, eleven of whom reached adulthood. Three of Charles Willson Peale's sons became artists: Raphaelle Peale (1774-1825), Rembrandt Peale (1778-1860), and Rubens Peale (1784-1865). A fourth son, Titian Ramsay Peale (1799-1885, APS 1833), was a naturalist (who made drawings on the exploring expeditions he accompanied) and pioneer in photography, and another son, Benjamin Franklin Peale (1795-1870), became a naturalist and paleontologist. Peale's daughter Sophonisba Angusciola was married to Coleman Sellers (1781-1834), an inventor and manufacturer of machinery, including locomotives. Two of their sons, George Escol Sellers (1808-1899) and Coleman Sellers (1827-1907, APS 1872), were inventors and engineers. The latter served as director of the construction of the hydro-electric power development at Niagara Falls. He was married to Cornelia Wells Sellers (1831-1909). One of their grandsons was Charles Coleman Sellers (1903-1980, APS 1979), a librarian and historian and the author of several studies of the Peale family, including a Charles Willson Peale biography.

George Ord made important contributions as an ornithologist and writer but is also famous for his contempt of fellow ornithologist John James Audubon. Throughout his life he published numerous scientific articles and assisted in completing Alexander Wilson's life's work, American Ornithology; or, The Natural History of the Birds of the United States. Ord also left his mark as a member of the American Philosophical Society and as the president of the Academy of Natural Science of Philadelphia. The George Ord collection consists primarily of outgoing personal correspondence to Charles Waterton ranging from 1831 to 1866 that highlights Ord's professional as well as personal affairs, most notably his hostility toward Audubon. The collection is supplemented by correspondence of Ord's to and from various individuals regarding personal and business matters.