| | 1 | Name: | Dr. Robert McC. Adams | | | Institution: | University of California, San Diego & Smithsonian Institution & University of Chicago | | | Year Elected: | 1974 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1926 | | | Death Date: | January 27, 2018 | | | | | | |
Robert Adams was an Adjunct Professor in the Department of Anthropology at the University of California at San Diego at the time of his death on January 27, 2018, at age 91. He was also Director Emeritus of the Oriental Institute at the University of Chicago and Secretary Emeritus of the Smithsonian Institution. Educated at the University of Chicago, he had a long-standing interest in the environmental, agricultural and urban history of the Middle East.
Dr. Adams' conducted extensive field research from the mid-1950s through the late 1970s in southern Iraq, southwestern Iran, Syria and Saudi Arabia. This work, on which he has published extensively, sought to identify long-term patterns of change extending over the last six millennia. Another field of research interest and publication involves the contexts and history of technological change, concentrating on the last five centuries or so in western Europe and the United States. In 1996 he wrote Paths of Fire: An Anthropologist's Inquiry Into Western Technology, which deals with how technology comes about and why or why not it has an impact on mankind. Dr. Adams served as Editor of Trends in American and German Higher Education (2002), which stems from his involvement in a comparison of graduate education and research in the United States and Germany.
Robert Adams was the recipient of the 1996 Distinguished Service Award from the Society for American Archaeology, the 2000 Lucy Wharton Drexel Medal from the University of Pennsylvania Museum, the 2002 Gold Medal from the American Institute of Archaeology, and the 2003 Field Museum Award of Merit. He was a member of the National Academy of Sciences and was elected to the American Philosophical Society in 1974. | |
| 2 | Name: | Dr. Svetlana Alpers | | | Institution: | New York University; University of California, Berkeley | | | Year Elected: | 2011 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1936 | | | | | | |
Svetlana Alpers is an art historian, critic, and artist. She was born in Cambridge, Mass., studied History and Literature at Radcliffe, turning from text to image for a PhD. In Fine Arts. She studied briefly with Richard Krautheimer at the IFA in New York, then formatively with the visiting E.H. Gombrich at Harvard and taught at the University of California, Berkeley from 1962-94. She published on Flemish art before turning to Dutch art with The Art of Describing, with books on Rembrandt, Rubens, Tiepolo (with Michael Baxandall) and on the Vexations of Art: Velazquez and Others. She was a founding editor of Representations. A group of photographic prints after Tiepolo from the series "Painting then for now" (with James Hyde and Barney Kulok) is in the collection of the Museum of Modern Art, New York. | |
| 3 | Name: | Dr. Leonard Barkan | | | Institution: | Princeton University | | | Year Elected: | 2005 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1944 | | | | | | |
Leonard Barkan is the Arthur W. Marks '19 Professor of Comparative Literature at Princeton and Director of the Society of Fellows in the Liberal Arts. He has been a professor of English and of Art History at universities including Northwestern, Michigan, and N.Y.U. Among his books are The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism and Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture, which won prizes from the Modern Language Association, the College Art Association, the American Comparative Literature Association, Phi Beta Kappa, and the PEN America Center. He has been an actor and a director; he is also a regular contributor to publications in both the U.S. and Italy, where he writes on the subject of food and wine. He has recently completed Satyr Square, which is an account of art, literature, food, wine, Italy, and himself; it will be published by Farrar, Straus & Giroux in 2006. His current project is a scholarly study of the relations among words, images, and pleasure from Plato to the Renaissance. He recently won the Morton Dauwen Zabel Award from the American Academy of Arts and Letters. | |
| 4 | Name: | Dr. George F. Bass | | | Institution: | Texas A & M University | | | Year Elected: | 1989 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1932 | | | Death Date: | March 2, 2021 | | | | | | |
George F. Bass graduated from The Johns Hopkins University with an M.A. in Near Eastern archaeology and attended the American School of Classical Studies at Athens. From 1957 to 1959 he served as a lieutenant in the U.S. Army, and then began doctoral studies in classical archaeology at the University of Pennsylvania. In 1960 he learned to dive so that he could direct the first archaeological excavation of an ancient shipwreck, a Bronze Age wreck off Turkey.
While excavating Byzantine shipwrecks off Turkey, Dr. Bass developed a submersible decompression chamber, a method of mapping under water by stereo-photogrammetry, and a two-person submarine, the Asherah, which was launched in 1964. That same year, he joined the University of Pennsylvania faculty. In 1967 his team was the first to locate an ancient wreck with sonar. In 1968 and 1971, he returned to land excavations in Greece and Italy.
In 1973, Dr. Bass founded the Institute of Nautical Archaeology, which in 1976 affiliated with Texas A&M University, where, until his retirement in 2000, he was the George T. and Gladys H. Abell Distinguished Professor of Nautical Archaeology. He also held the George O. Yamini Family Chair. He is currently Distinguished Professor Emeritus at Texas A & M. The Institute conducts research on four continents, but Dr. Bass concentrates on Mediterranean sites from the Bronze Age though Byzantine times.
Dr. Bass has received a National Medal of Science, the Archaeological Institute of America's Gold Medal for Distinguished Archaeological Achievement, the Bandelier Award from the Institute of Nautical Archaeology which accompanied a lectureship established in his name at the Archaeological Institute of America, a Lowell Thomas Award from the Explorers Club, the J.C. Harrington Medal from the Society for Historical Archaeology, the National Geographic Society's La Gorce Medal, and one of its fifteen Centennial Awards. Dr. Bass holds honorary doctorates from Boghaziçi University in Istanbul and the University of Liverpool. He is also an honorary citizen of Bodrum, Turkey. Dr. Bass was elected to the American Philosophical Society in 1989. He died on March 2, 2021. | |
| 5 | Name: | Dr. Hans Belting | | | Institution: | Internationales Forschungszentrum Kulturwissenschaften, Vienna | | | Year Elected: | 2005 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1935 | | | Death Date: | January 10, 2023 | | | | | | |
Hans Belting is perhaps Germany's most creative art historian. In his College Art Association citation he is described as "the most influential scholar of medieval art of his generation," having made "fundamental contributions to the history of Byzantine wall painting and manuscript illumination, Carolingian art in Rome and Gaul, Italian Trecento mural decoration and early Flemish panel painting." His many books are based on a wide spectrum of methods: traditional style and iconographic analysis, reception theory, archaeological and anthropological techniques and the critique of patronage. But he has also contributed powerfully to contemporary theory in the discipline, particularly in The End of the History of Art, and to the history and criticism of contemporary art. Dr. Belting's other published works include Likeness and Presence: A History of the Image Before the Era of Art (1984); The Germans and Their Art: A Troublesome Relationship (1998); The Invisible Masterpiece: The Modern Myths of Art (2001); and Hieronymus Bosch: The Garden of Earthly Delights (2002). Formerly the Mary Jane Crowe Professor at Northwestern University and the director of the Internationales Forschungszentrum Kulturwissenschaften in Vienna, Dr. Belting is a member of the Medieval Academy of America; the American Academy of Arts & Sciences; the Heidelberger Akademie der Wissenschaften; and the Academia Europaea. He received his Ph.D. from Mainz University in 1959. | |
| 6 | Name: | Dr. Margaret Bent | | | Institution: | All Souls College, Oxford | | | Year Elected: | 2013 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Living
| | | Birth Date: | 1940 | | | | | | |
Margaret Bent read Music at Cambridge (where she was Organ Scholar at Girton College), gaining the Ph.D. in 1969 with a dissertation on the early fifteenth century Old Hall Manuscript. She taught peripatetically and at Goldsmiths’ College, London, before going to the United States in 1975, holding professorships and departmental chairmanships successively at Brandeis (1975-81) and Princeton Universities (1981-92), when she returned to the U.K. as the first woman Senior Research Fellow at All Souls College, Oxford, of which she is now an Emeritus Fellow.
She is a Fellow of the British Academy, an honorary Fellow of Girton College, and was appointed CBE (Commander of the British Empire) in 2008. She holds honorary doctorates from the universities of Glasgow, Notre Dame and Montréal. Honorific or corresponding memberships or fellowships include the American Musicological Society (of which she was President 1984-6), the American Academy of Arts and Sciences, the Royal Historical Society, Academia Europea , the Society of Antiquaries of London, the Medieval Academy of America, the London University School of Advanced Studies, the Royal Musical Association. Her most recent visiting professorships were at Villa I Tatti, Florence, and the Universities of Chicago, Harvard and Basel, and she serves on a number of editorial boards. In 2019 she shared the Guido Adler Prize of the International Music Association with fellow APS member Lewis Lockwoord, in honor of "scholars who have made an outstanding contribution to musicology."
Apart from a critical edition of Rossini’s opera Il Turco in Italia, her publications range widely over English, French and Italian music of the 14th to 16th centuries, including editions (some joint) of John Dunstaple, Old Hall, English masses, and Johannes Ciconia. A facsimile and study of the 15th-century Veneto manuscript Bologna Q15: The Making and Remaking of a Musical Manuscript (LIM, Lucca, 2008) won the Claude Palisca prize of the AMS. Other books include: Counterpoint, Composition, and Musica Ficta (London and New York: Routledge, 2002); Fauvel Studies: Allegory, Chronicle, Music and Image in Paris, Bibliothèque nationale de France, MS français 146, ed. Margaret Bent and Andrew Wathey (Oxford: Clarendon Press, 1998); Margaret Bent and Robert Klugseder, A Veneto Liber cantus (c. 1440): Fragments in the Bayerische Staatsbibliothek, Munich, and the Österreichische Nationalbibliothek, Vienna (Wiesbaden: Reichert, 2012). Full listing of publications can be accessed at http://www.all-souls.ox.ac.uk/people.php?personid=4 (classified by subject) and http://www.music.ox.ac.uk/index.php?id=844 (chronological).
Known for revisionist and often controversial contributions in several areas of late-medieval music theory and practice, her work has overturned long-held suppositions about manuscript relationships and datings, meanings of notational signs, interpretations of medieval writings, and modern historiographical impositions (notably concepts of isorhythm, chromaticism, diminution). Starting points are nearly always manuscripts, notation, archives, texts, genres (especially motets). She addresses compositional and analytical techniques, counterpoint, musical grammar and rhetoric, the construing and complementing of notations, codicological and stemmatic issues. She has described (and sometimes discovered) manuscript fragments and reconstructed their music, and is currently documenting musical networks in the Veneto.
She co-founded the Digital Image Archive of Medieval Music (http://www.diamm.ac.uk/), continues to lead early music seminars and singing sessions from original notation in facsimile in Oxford, and is a closet pianist, viol player and Wagnerian.
Margaret Bent was elected a member of the American Philosophical Society in 2013. | |
| 7 | Name: | Professor Paul Bernard | | | Institution: | L'Ecole Pratique des Hautes Etudes, Paris | | | Year Elected: | 2001 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1929 | | | Death Date: | December 1, 2015 | | | | | | |
Paul Bernard was a member of the Academy of Inscriptions and Fine Letters (Institute of France, Paris) since 1992. After studies in Paris (Ecole Normale Supérieure, Sorbonne), he received archaeological training at the French School in Athens (1958-1961) and then became a member of the French Institute of Archaeology in Beirut (1961-1965). He quickly specialized in the archaeology and history of Hellenism east of the Mediterranean shores.
In 1965, Professor Bernard became director of the French archaeological mission in Afghanistan and, until 1978, he headed the excavations, by a French team, of a Greek colonial city in Northern Afghanistan at the site, now completely plundered, of Aï Khanum.
Upon his return to France, he taught graduate and postgraduate courses at the Ecole Pratique des Hautes Etudes (Sorbonne) on the history of Hellenism in the Orient. He was an associate member of the Italian Academia dei Lincei and of the Russian Academy of Sciences. He was elected to membership in the American Philosophical Society in 2001. Paul Bernard died December 1, 2015, at the age of 86, in Paris, France. | |
| 8 | Name: | Dr. Phyllis Pray Bober | | | Institution: | Bryn Mawr College | | | Year Elected: | 1999 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1920 | | | Death Date: | June 1, 2002 | | | | |
| 9 | Name: | Dr. Yve-Alain Bois | | | Institution: | Institute for Advanced Study | | | Year Elected: | 2016 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1952 | | | | | | |
Yve-Alain Bois is one of the most original and active critics of 20th century art working today. A pupil of Roland Barthes, he is equally at home in the theory and the history of the visual arts. In 2015 he published the first of four volumes of his monumental catalog of the American painter and sculptor Ellsworth Kelly, and is about to publish a 900-page catalog of the works by Matisse (including the famous wall-paintings) in the Barnes Collection. At the Society’s April 2015 meeting, he gave a memorable paper, “Can a Genuine Picasso be a Fake?” In addition to his many books, he has written twelve exhibition catalogs, about fifty articles with titles as surprising and diverse as “The Meteorite in the Garden” and “Painting as Trauma,” and numerous exhibition- and book-reviews. One of his current projects is the modern history of axonometric projection. | |
| 10 | Name: | Dr. Larissa Bonfante | | | Institution: | New York University | | | Year Elected: | 2009 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1932 | | | Death Date: | August 23, 2019 | | | | | | |
Larissa Bonfante was Professor of Classics at New York University (1963-2006). Born in Italy, she came with her family to the United States as a child by way of Spain and Geneva, Switzerland. She held a BA from Barnard College, an M.A. in Classics from the University of Cincinnati, and a PhD in Art History and Archaeology from Columbia University, with Otto Brendel as dissertation adviser. Her first published article was "Emperor, God and Man: Julian the Apostate and Ammianus Marcellinus," followed by Etruscan Dress (1975). Further work on ancient dress, originally inspired by the works of Margarete Bieber, included an NEH Summer Seminar on the Symbolism of Roman Costume (1988), and publications on the Roman triumph, and nudity as a costume in classical art. Brendel’s statement, "we take the Greeks as our model, forgetting that they did everything differently from everyone else," helped direct her focus on the non-Greeks of the classical world, for example in The Etruscan Language, written with her father, the Indo-Europeanist Giuliano Bonfante.
Bonfante was a member of the German Archaeological Institute, the Istituto di Studi Etruschi ed Italici, founder and President of its US Section, and co-editor of Etruscan News. She was Visiting Member of the Institute for Advanced Study in 1980, received teaching awards at New York University for her work with undergraduates, and the 2007 Gold Medal for Archaeological Achievement from the Archaeological Institute of America. She delivered the Thomas Spencer Jerome Lecture Series in 2006-07 and the AIA Norton Lecturesship in 2007-08. She was elected a member of the American Philosophical Society in 2009. Larissa Bonfante died August 23, 2019 in New York, New York at the age of 88. | |
| 11 | Name: | Dr. Rachel Bowlby | | | Institution: | University College, London | | | Year Elected: | 2024 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Living
| | | Birth Date: | 1957 | | | | | | |
Rachel Bowlby is Professor of Comparative Literature at University College London, Emeritus since 2023. She was previously (2004-14) Lord Northcliffe Professor of English, also at UCL, and held posts before that at the universities of York, Oxford and Sussex. Beginning with a Yale PhD dissertation (in Comparative Literature) on novels about department stores, a principal focus of her research has been the history of consumer culture. Books on this subject include Just Looking: Consumer Culture in Dreisuer, Gissing and Zola (1985), Shopping with Freud (1993), Carried Away: The Invention of Modern Shopping (2000) (on the history of supermarkets), and Back to the Shops: The High Street in History and the Future (2022). Other work has focused on connections between feminism, literary theory and psychoanalysis: Still Crazy after All These Years: Women, Writing and Psychoanalysis (1992); Freudian Mythologies: Greek Tragedy and Modern Identities (2007). She has also written about everyday life, including the history of parenthood and reproductive technologies: A Child of One’s Own: Parental Stories (2013); Everyday Stories (2016). Two authors have been the subject of monographs. Feminist Destinations and Further Essays on Virginia Woolf (1997) extended a previous book on Woolf, while Zola: Writing Modern Life (2025) returns to one of the three authorial subjects of Bowlby’s first book, Just Looking. Talking Walking: Essays in Cultural Criticism (2018) brought together a selection of essays in the various fields of her interest; it is joined by another collection of essays, Unexpected Items: Shopping, Parenthood, Changing Feminist Stories (2024); this book is part of Edinburgh University Press’s Feminist Library series. Rachel Bowlby has also translated a number of works of contemporary French philosophy, including two books by Jacques Derrida. She has held visiting positions or fellowships at Cornell University (1990-91) and at the universities of Paris III (Sorbonne Nouvelle) (2007) and Otago (New Zealand) (2006), and delivered the Gauss Seminars in Criticism at Princeton University (2008). She has been a Fellow of the British Academy since 2007. | |
| 12 | Name: | Dr. Robert J. Braidwood | | | Institution: | University of Chicago | | | Year Elected: | 1966 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1907 | | | Death Date: | January 15, 2003 | | | | |
| 13 | Name: | Dr. Victor H. Brombert | | | Institution: | Princeton University | | | Year Elected: | 1987 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1923 | | | | | | |
Winner of many awards for both scholarship and teaching, Victor Brombert is, in the words of a distinguished senior colleague in the field, "a superb literary critic and polished stylist, eclectic in his tastes, averse to all dogmatic theories, and probably the most eminent and influential French scholar of his generation." Currently the Henry Putnam University Professor of Romance and Comparative Literature Emeritus at Princeton University, Dr. Brombert has taught at Princeton since 1975 and has served as chairman of its Council of Humanities. Prior to his appointment at Princeton, Dr. Brombert was assistant professor and Benjamin F. Barge Professor of Romance Language and Literature at Yale University, where he served as chairman of the Department of Romance Languages (1964-73). He received his Ph.D. from Yale in 1953 and has honorary doctorates from the University of Chicago and the University of Toronto. A former president of the Modern Language Association and a member of the American Academy of Arts & Sciences, Dr. Brombert is the author of a dozen books of literary criticism, in addition to his wartime memoirs Trains of Thought.(2002). He has published extensively on Flaubert, both in this country and in France, and has also written widely on T.S. Eliot, Hugo and Stendhal, among others. A comparativist and literary historian, Dr. Brombert is that rare scholar from whose observations all readers of literature have benefited. | |
| 14 | Name: | Dr. Caroline Bruzelius | | | Institution: | Duke University | | | Year Elected: | 2020 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | resident | | | Living? : |
Living
| | | Birth Date: | 1949 | | | | | | |
Caroline Bruzelius, Professor Emerita at Duke University, has published many books and articles on medieval architecture in France and Italy. She has written on the abbey St.-Denis, medieval Naples, the architecture of women’s convents, and the Cathedral of Notre-Dame in Paris, among other topics. Her most recent book, Preaching, Building and Burying: Friars in the Medieval City, focused on how Franciscans and Dominicans transformed medieval cities through their social practices, which included creating piazzas for outdoor preaching and building massive convents with funding provided by lay donors.
Bruzelius has been a pioneer in exploring how technologies can transform our understanding of historic monuments and communicate narratives about art and the built environment. She founded the "Wired!" group at Duke University, a team that integrates visualization technologies with teaching, engaging undergraduate and graduate students in multi-year research initiatives http://www.dukewired.org . She founded two international and interdisciplinary collaborations, Visualizing Venice: http://www.visualizingvenice.org/visu/ a project that models time and change in the remarkable city of Venice, and The Medieval Kingdom of Sicily Image Database http://kos.aahvs.duke.edu, a virtual museum that collects images of historic sites in South Italy for researchers and travelers.
From 1994 to 1998 Bruzelius was Director of the American Academy in Rome. She is a Fellow of the American Academy of Arts and Sciences, the Medieval Academy of America, the Society of Antiquaries (London) and has received numerous other awards in the United States and abroad. | |
| 15 | Name: | Dr. Claude Cahen | | | Institution: | University of Paris | | | Year Elected: | 1983 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1909 | | | Death Date: | 11/18/91 | | | | |
| 16 | Name: | Professor Halet Çambel | | | Institution: | Istanbul University | | | Year Elected: | 1979 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | International | | | Living? : |
Deceased
| | | Birth Date: | 1916 | | | Death Date: | January 12, 2014 | | | | | | |
An eminent scholar and expert in the archaeology of the Anatolian Peninsula, Halet Çambel was born in Germany in 1916. The daughter of an old and distinguished Ottoman family, she received her Ph.D. from Istanbul University in 1945 and went on to found the chair of prehistoric archaeology at Istanbul University, where she taught and inspired generations of students. Renowned for conducting rescue excavations of endangered heritage sites, Dr. Çambel introduced stone restoration techniques and ensured proper conservation of significant cultural heritage in Turkey. She was instrumental in protecting a village of unique Turkish houses and opened an Art and Culture House where concerts, exhibitions and other cultural activities take place. Halet Çambel's meticulous scholarship, commitment to international collaboration and enthusiasm for innovative research are praised both in Turkey and in the wider international community. Her numerous publications, television programs, documentaries, and the first open-air museum of antiquities at the Karatepe-Aslanta site are among her contributions to knowledge of and accessibility to the civilizations and historical riches of Turkey. Among Dr. Çambel's many awards is the Prince Claus Award honoring her dedicated scholarship and her role in expanding the possibilities for interaction between people and their cultural heritage. Halet Çambel died January 12, 2014, at the age of 97 at her home in Instanbul. | |
| 17 | Name: | Dr. Timothy J. Clark | | | Institution: | University of California, Berkeley | | | Year Elected: | 2007 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1943 | | | | | | |
T. J. Clark was born in Bristol, England in 1943, took a B.A. in modern history at Cambridge, and a Ph.D. in art history at the Courtauld Institute, University of London. He has taught at a number of institutions in England and the U.S., including the Universities of Leeds and Essex, Camberwell School of Art, UCLA, Harvard, and, since 1988, the University of California, Berkeley, where he is George C. and Helen N. Pardee Chair and Professor of Modern Art. He is the author of a series of books on the social character and formal dynamics of modern art, including The Absolute Bourgeois: Artists and Politics in France 1848-1851 (1973); Image of the People: Gustave Courbet and the 1848 Revolution (1973); The Painting of Modern Life: Paris in the Art of Manet and his Followers (1984); and Farewell to an Idea: Episodes from a History of Modernism (1999). In Spring 2005 Verso published a polemical analysis of the present crisis in world politics written by him jointly with Iain Boal, Joseph Matthews, and Michael Watts (a.k.a. "Retort"), entitled Afflicted Powers: Capital and Spectacle in a New Age of War. Clark's latest book is The Sight of Death: An Experiment in Art Writing (2006), an extended study of two paintings by Nicolas Poussin, Landscape with a Calm in the Getty Museum, Los Angeles, and Landscape with a Man Killed by a Snake in the National Gallery, London. | |
| 18 | Name: | Dr. William Coleman | | | Year Elected: | 1988 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1934 | | | Death Date: | ././88 | | | | |
| 19 | Name: | Dr. Joseph Connors | | | Institution: | Harvard University | | | Year Elected: | 2003 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1945 | | | | | | |
Joseph Connors studied at Boston College and Cambridge University before receiving his Ph.D. from Harvard in 1978. He taught in the department of art history and archaeology at Columbia University from 1980-2002, with a leave to serve as Director of the American Academy in Rome from 1988-92. He became Director of Villa I Tatti, the Harvard Center for the Study of the Italian Renaissance in Florence, in 2002. From an initial study of the Oratory of St. Philip Neri in Rome he has deepened and extended our knowledge of the architecture and urban development of Baroque Rome, in particular the way in which elites and institutions express power relationships through changes in the urban fabric. He received the Richard Krautheimer Medal in 1984 and the Premio Letterario Rebecchini (with Louise Rice) in 1991. He is the author of one book on Frank Lloyd Wright and several on Roman baroque architecture: Borromini and the Roman Oratory: Style and Society, 1980; Specchio di Roma barocca (with Louise Rice), 1991; Francesco Borromini: Opus Architectonicum, 1998; and Alleanze e inimicizie: L'urbanistica di Roma barocca, 2005. A major monograph on the architecture of Francesco Borromini (1599-1667) is in preparation. He was elected a member of the American Philosophical Society in 2003. | |
| 20 | Name: | Dr. Elizabeth Cropper | | | Institution: | National Gallery of Art | | | Year Elected: | 1998 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1944 | | | | | | |
Elizabeth Cropper received her B.A. with honors from Cambridge University, England, and her Ph.D. from Bryn Mawr College. Before joining The Johns Hopkins University as professor in 1985, she was a professor at Temple University's Tyler School of Art. In 2000 she succeeded Henry Millon as Dean of the Center for Advanced Study in the Visual Arts at the National Gallery of Art, one of the world's leading centers for advanced research in the history of art. In 2019 it was announced that she would retire from her role as dean in 2020. In addition to professorships at Cambridge University and CASVA, her visiting appointments include tenures as directeur d'Etudes Associé at the Ecole des Hautes Etudes en Science Sociales, Paris (1990-1991 and 1997); as Samuel H. Kress Fellow, CASVA, National Gallery of Art (1984-1985); and as professor at the Collège de France in 1996. Among Dr. Cropper's postdoctoral research awards are positions as visiting scholar and fellow at the Harvard Center for Renaissance Studies, Villa I Tatti, Florence; Andrew W. Mellon Professor at CASVA; and visiting member, School of Historical Studies, Institute for Advanced Study, Princeton. Her publications include Pontormo: Portrait of a Halberdier (1997), Nicolas Poussin: Friendship and the Love of Painting, with Charles Dempsey (1996); and The Domenichino Affair (2005). | |
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