| | 21 | Name: | Dr. Jeffrey Hamburger | | | Institution: | Harvard University | | | Year Elected: | 2010 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1957 | | | | | | |
Professor Hamburger's teaching and research focus on the art of the High and later Middle Ages. Among his areas of special interest are medieval manuscript illumination, text-image issues, the history of attitudes towards imagery and visual experience, and German vernacular religious writing of the Middle Ages, especially in the context of mysticism. Beginning with his dissertation on the Rothschild Canticles (Yale, 1987), much of his scholarship has focused on the art of female monasticism, a program of research that culminated in 2005 in an international exhibition, Krone und Schleier (Crown and Veil) that was sponsored by the German government and held jointly in Bonn and Essen. An English translation of the essays in the exhibition catalog was published by Columbia University Press in 2008. His current research includes a project that seeks to integrate digital technology into the study and presentation of liturgical manuscripts, a study of narrative imagery in late medieval German prayer books and a major international exhibition on German manuscript illumination in the age of Gutenberg. The recipient of numerous awards, including fellowships from the John S. Guggenheim Foundation, the American Philosophical Society, the NEH, and the Humboldt-Stiftung, Prof. Hamburger was elected a Fellow of the Medieval Academy of America in 2001 and a member of the American Academy of Arts & Sciences in 2009. He serves on numerous advisory boards, among them, those of the German Manuscript Cataloguing Centers, the Europäisches Romanikzentrum, the Centre International de Codicologie, Bibliothèque Royale Albert Ier, Brussels, and the Katalog der deutschsprachigen illustrierten Handschriften des Mittelalters, Bayerische Akademie der Wissenschaften, Munich. He is currently Chair of Harvard's Medieval Studies Committee.
In addition to numerous articles, Prof. Hamburger's books include: The Mind's Eye: Art and Theological Argument in the Medieval West , co-edited with Anne-Marie Bouché (Princeton: Department of Art & Archaeology, Princeton University, Princeton University Press, 2005); Die Ottheinrich-Bibel. Kommentar zur Faksimile-Ausgabe der Handschrift Cgm 8010/1.2 der Bayerischen Staatsbibliothek München co-authored with Brigitte Gullath, Karin Schneider, & Robert Suckale (Luzern: Faksimile-Verlag, 2002); St. John the Divine: The Deified Evangelist in Medieval Art and Theology (Berkeley-Los Angeles: University of California Press, 2002); The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany (New York: Zone Books, 1998), awarded the Charles Rufus Morey Prize of the College Art Association and the Roland H. Bainton Book Prize in Art & Music; Nuns as Artists: The Visual Culture of a Medieval Convent (Berkeley-Los Angeles: University of California Press, 1996, awarded the Jacques Barzun Prize in Cultural History of the American Philosophical Society and the Otto Gründler Prize of the International Congress of Medieval Studies; and The Rothschild Canticles : Art and Mysticism in Flanders and the Rhineland circa 1300 (New Haven: Yale University Press, 1990), awarded the Arlt Award in the Humanities by the Council of Graduate Schools and the John Nicholas Brown Prize of the Medieval Academy of America. His most recent book, Leaves from Paradise: The Cult of John at the Dominican Convent of Paradies bei Soest , Houghton Library Studies, vol. 2 (Cambridge: Houghton Library, distributed by Harvard University Press), was published in 2008.
Prof. Hamburger holds both his B.A. and Ph.D. in art history from Yale University . He previously held teaching positions at Oberlin College and the University of Toronto. He has been a guest professor in Zurich, Paris, Oxford and Fribourg, Switzerland. In 2015 he was awarded the Anneliese Maier Research Award from the Alexander von Humboldt-Stiftung Foundation. | |
| 22 | Name: | Dr. Prudence Oliver Harper | | | Institution: | Metropolitan Museum of Art | | | Year Elected: | 1994 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1933 | | | | | | |
Curator Emerita Prudence Oliver Harper joined the Metropolitan Museum of Art's Department of the Ancient Near East in 1958. She received her Ph.D. from Columbia University in 1977 and became curator and head of the Department of Ancient Near East in 1982. Over the course of her career, Dr. Harper led the installation of the museum's Ancient Near Eastern Art galleries, published the results of a major archaeological enterprise (Sasanian Remains from Qasr-i Abu Nasr, 1973) and compiled a thoughtful exhibition on an iconographic and ideological theme with a very important catalog (The Royal Hunter, 1978). The first volume of her Sasanian Silver Vessels (1981), together with a large set of articles, is the standard study of royal images in Late Antique Sasanian art. Her articles on Anatolian ivories and Neo-Babylonian clay scultpures also demonstrate the breadth of her knowledge. Dr. Harper has also been instrumental in maintaining and fostering continuous contacts with scholars in Russia, especially during difficult times. A member of the American Academy of Arts & Sciences, Dr. Harper has also served as chair of the Metropolitan Museum of Art's Curatorial Forum and on the editorial board of the Metropolitan Museum Journal. | |
| 23 | Name: | Dr. Ellen T. Harris | | | Institution: | Massachusetts Institute of Technology | | | Year Elected: | 2016 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1945 | | | | | | |
Ellen T. Harris, Class of 1949 Professor Emeritus at MIT, is a musicologist whose work focuses on Handel, Baroque opera, and vocal performance practice. She has taught at Columbia University; the University of Chicago, where she served as department chair; and the Massachusetts Institute of Technology, where she was the first Associate Provsot for the Arts. She has served as the President of the American Handel Society and is currently President of the American Musicological Society.
Her most recent book, George Frideric Handel: A Life with Friends (W. W. Norton, 2014), detailing the place of Handel and his music in eighteenth-century London, received the Nicolas Slonimsky Award (ASCAP/Deems Taylor) for Outstanding Musical Biography. Her previous book, Handel as Orpheus: Voice and Desire in the Chamber Cantatas (Harvard University Press, 2001) received the 2002 Otto Kindeldey Award from the American Musicological Society and the 2002-03 Louis Gottschalk Prize from the Society for Eighteenth-Century Studies. Her earlier publications include an edition of cantatas for alto voice (Oxford University Press, 2001), a critical facsimile edition of Handel’s opera librettos in 13 vols. (Garland, 1989), Henry Purcell’s ‘Dido and Aeneas’ (Oxford, 1987, of which a 30th-anniversary edition is now in preparation), an edition (with Edward Dent) of Purcell’s Dido and Aeneas (Oxford, 1987), and Handel and the Pastoral Tradition (Oxford, 1980). Articles and reviews by Professor Harris have appeared in numerous publications including Journal of the American Musicological Society, Händel Jahrbuch, Notes, and The New York Times. Her article "Handel the Investor" (Music & Letters, 2004), based on her research in the Bank of England, received the 2004 Westrup Prize.
Harris has enjoyed residencies at the Mary Ingraham Bunting Institute of Radcliffe College in Harvard University (1995-96) and at the Institute for Advanced Study in Princeton (2004), and in 2005 won the Gyorgy Kepes Prize for her contributions to the arts at MIT. She was elected a Fellow of the American Academy of Arts and Sciences (1998) and made an Honorary Member of the American Musicological Society (2011). For the 2013-14 academic year, she was a Phi Beta Kappa Visiting Scholar, and in 2016 a Visiting Professor at The Juilliard School. In her role as a musicologist-singer, Harris served as consultant to Renée Fleming on her recording of Handel arias and to the Santa Fe Opera on their production of Mozart’s Mitridate. She also served as musicological advisor to the complete recording of Handel’s Italian instrumental cantatas by the Italian early music group La Risonanza and has given joint presentations with its musical director Fabio Bonizzoni. She has performed twice with John Williams and the Boston Pops and sung the National Anthem at Fenway Park. | |
| 24 | Name: | Dr. Evelyn B. Harrison | | | Institution: | Institute of Fine Arts, New York University | | | Year Elected: | 1979 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1920 | | | Death Date: | November 3, 2012 | | | | | | |
Evelyn Byrd Harrison was one of the greatest scholars of our time in the field of Greek sculpture. She earned her Ph.D. from Columbia University in 1952 and taught classics at the University of Cincinnati before joining the faculty at Columbia in 1955. In 1970 she was named professor of art and archaeology at Princeton University, becoming the first woman to be appointed full professor in the department. In 1974 she moved to New York University's Institute of Fine Arts as Professor of the History of Fine Arts. She was Edith Kitzmiller Professor Emerita of the History of Fine Arts and Adjunct Professor at the time of her death on November 3, 2012. She died at home in New York City at the age of 92. Dr. Harrison's publications include The Athenian Agora I: Portrait Sculpture (1953) and Achaic and Archaistic Sculpture (1965). She was the recipient of a Guggenheim Fellowship as well as the Archaeological Institute of America's Gold Medal for Distinguished Archaeological Achievement (1992). When she discussed a well-known piece of Greek sculpture, you felt as though you were seeing it for the first time. | |
| 25 | Name: | Dr. David Herlihy | | | Institution: | Brown University | | | Year Elected: | 1990 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1930 | | | Death Date: | 2/21/91 | | | | |
| 26 | Name: | Dr. Frederic Lawrence Holmes | | | Institution: | Yale University | | | Year Elected: | 2000 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1932 | | | Death Date: | March 27, 2003 | | | | |
| 27 | Name: | Dr. Wu Hung | | | Institution: | University of Chicago | | | Year Elected: | 2012 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1945 | | | | | | |
Wu Hung is currently the Harrie A. Vanderstappen Distinguished Service Professor in Chinese Art History in the Department of Art History and Department of East Asian Languages and Civilizations at the University of Chicago. Born in China, he earned his Ph.D. in 1987 from Harvard University. He has won the Levenson Prize of the Association for Asian Studies (1991). His publications include: The Wu Liang Shrine, 1989; Monumentality in Early Chinese Art and Architecture, 1995; The Double Screen: Medium and Representation in Chinese Painting, 1996; (with R. Barnhart, et al) 3000 Years of Chinese Painting, 1997; (with C. Phillips) Between Past and Future: New Photography and Video from China, 2004; Remaking Beijing: Tiananmen Square and the Creation of a Political Space, 2005; Art of the Yellow Spring: Rethinking Chinese Tombs, 2010. He is the editor of Chinese Art at the Crossroads: Between Past and Future, Between East and West (2001) and, with K. Tsiang, Body and Face in Chinese Visual Culture (2005). He is a member of the American Academy of Arts & Sciences (2007).
Wu Hung is a leading historian of Chinese art, renowned for his study of art and visual culture in early China. In his 1989 book, The Wu Liang Shrine, he analyzed how a pictorial program in the second century CE reflected Confucian ideology, going beyond the usual formal and iconographical analyses into social history. Art of the Yellow Springs: Understanding Chinese Tombs (2010) examined excavated materials from Neolithic to late Medieval periods and interpreted them in their appropriate funerary contexts. He has also written extensively about twentieth century art. In addition, he has curated more than two dozen exhibitions, largely in contemporary painting and photography, in the United States, Germany, China, and Korea. Wu Hung was selected to give the 68th annual A.W. Mellon Lectures in the Fine Arts. He was elected a member of the American Philosophical Society in 2012. | |
| 28 | Name: | Dr. Kellie Jones | | | Institution: | Columbia University | | | Year Elected: | 2023 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1959 | | | | | | |
Kellie Jones, is a member of the American Academy of Arts and Sciences (Boston) and the American Philosophical Society (Philadelphia), and holds an honorary Doctorate from The Courtauld in London. She has also received awards for her work from the Hutchins Center for African and African American Research, Harvard University, The College Arts Association, and Creative Capital | Warhol Foundation. She was the inaugural winner of the David C. Driskell Prize in African American Art and Art History for the High Museum of Art in 2005. In 2016 she was named a MacArthur Foundation Fellow.
Prof. Jones is Chair of the Department African American and African Diaspora Studies and Hans Hofmann Professor of Modern Art in the Department of Art History and Archaeology at Columbia University. Her research interests include African American and African Diaspora artists, Latinx and Latin American Artists, and issues in contemporary art and museum theory. She has spent close to two thrilling decades at Columbia University. From 1999 to 2006 she served as an Assistant Professor in the Department of the History of Art at Yale University. Prof. Jones received both her PhD and MA degrees from Yale in the History of Art. Her BA is from Amherst College.
Prof. Jones’s writings have appeared in a multitude of exhibition catalogues and journals. She is the author of two books published by Duke University Press, EyeMinded: Living and Writing Contemporary Art (2011), and South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (2017), which received the Walter & Lillian Lowenfels Criticism Award from the American Book Award in 2018 and was named a Best Book of the Decade in 2019 by ArtNews, Best Art Book of 2017 in The New York Times and a Best Book of 2017 in Artforum. She is at work on book projects on sculptor Augusta Savage as well as on Conceptual Art. Her book October Files: David Hammons (MIT Press, 2024) is at press.
Kellie Jones has also worked as a curator for over four decades. In the first decade of her career she worked fairly exclusively within institutions including the Walker Art Center and The Studio Museum in Harlem. However, for much of her curatorial career she served as a guest curator for a variety of venues. She has organized shows for the São Paulo Bienal (1989, showing Martin Puryear; which won best individual exhibition at the Bienal that year) and Johannesburg Biennale (1997, Life’s Little Necessities: Installations by Women in the 1990s). She has numerous major national and international exhibitions to her credit. Her exhibition “Now Dig This! Art and Black Los Angeles, 1960-1980,” at the Hammer Museum, Los Angeles, was named one of the best exhibitions of 2011 and 2012 by Artforum, and best thematic show nationally by the International Association of Art Critics (AICA). She was co-curator of “Witness: Art and Civil Rights in the 1960s” (Brooklyn Museum), named one the best exhibitions of 2014 by Artforum. | |
| 29 | Name: | Dr. George A. Kennedy | | | Institution: | University of North Carolina | | | Year Elected: | 1984 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1928 | | | Death Date: | July 28, 2022 | | | | | | |
George A. Kennedy taught classics and comparative literature at the University of North Carolina, Chapel Hill for thirty years. He earned his Ph.D. from Harvard University in 1954 and taught at Harvard, Haverford College and the University of Pittsburgh before being named Paddison Professor of Classics (now Emeritus) at UNC in 1972. Dr. Kennedy is a fellow of the American Academy of Arts & Sciences and has served as a member of the National Humanities Council and as president of the American Philological Association and the International Society for the History of Rhetoric. He is author of 13 books on the history of rhetoric and literary criticism, including The Art of Persuasion in Greece (1963), Art and Rhetoric in the Roman World (1972) and Classical Rhetoric and its Christian and Secular Tradition (1980). He is a widely recognized authority on the arts of persuasion in the classical world and on the style of Greek, Latin and early Christian literature. | |
| 30 | Name: | Dr. Elfriede Regina (Kezia) Knauer | | | Institution: | University of Pennsylvania | | | Year Elected: | 1999 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1926 | | | Death Date: | June 7, 2010 | | | | | | |
Elfriede Knauer has an incredible range of knowledge in the ancient (and even somewhat modern) art world and history. She has travelled well beyond the normal compass of the archaeologist; she is expert in the culture of China, the Russian steppes, Persia and Iran and the ancient Greek and Roman world. She wrote a book on the Silk Road, which she has personally travelled. Dr. Knauer has written on such a variety of subjects that only a perusal of the titles of her publications can give an idea of what this scholar can control. Born in Germany, Dr. Knauer earned her Ph.D. from Frankfurt University and is currently a Consulting Scholar in the Mediterranean Section of the University of Pennsylvania Museum of Archaeology and Anthropology. She is a member of the Archaeological Institute of America and was elected a member of the American Philosophical Society in 1999. | |
| 31 | Name: | Dr. Joseph Leo Koerner | | | Institution: | Harvard University | | | Year Elected: | 2008 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1958 | | | | | | |
Born in Pittsburgh, Pennsylvania, and raised there and in Vienna, Joseph Leo Koerner studied at Yale University (B.A. 1980), Cambridge University (M.A. 1982), University of Heidelberg (1982-3), and University of California at Berkeley (M.A. 1985, Ph.D. 1988). After three years at the Society of Fellows, Harvard University (1986-9), he joined the Harvard faculty, where he was Professor of History of Art and Architecture until 1999. 1999-2000 he was Professor of Modern Art History at the University of Frankfurt; in 2000 he moved to London, where he was Professor first at University College London (until 2004), then at the Courtauld Institute of Art (until 2007). Koerner organized teaching exhibitions at Harvard on Early Netherlandish Painting (1990), German Renaissance Art (1993), Pieter Bruegel (1995) and Netherlandish prints 1550-1675 (1999). At the Austrian National Gallery in 1997, he curated a retrospective of the work of his father, the painter Henry Koerner. In 2002, he collaborated with Bruno Latour and others on the exhibition Iconoclash: Beyond the Image Wars at the Center for Art and Media in Karlsruhe. His books include Die Suche nach dem Labyrinth--Der Mythos von Daedalus und Ikarus (1983), Caspar David Friedrich and the Subject of Landscape (1990), The Moment of Self-Portraiture in German Renaissance Art (1993), and The Reformation of the Image (2004). Koerner wrote and presented the three-part series Northern Renaissance for BBC Television. He also wrote and presented the BBC feature-length documentary Vienna: City of Dreams. Koerner was awarded the Jan Mitchell Prize for the History of Art in 1992. He has been a member of the American Academy of Arts and Sciences since 1995. He was elected a member of the American Philosophical Society in 2008. In 2009 he was award a Distinguished Achievement Award from the Andrew W Mellon Foundation. He is a Senior Fellow at Harvard's Society of Fellows. | |
| 32 | Name: | Dr. Samuel N. Kramer | | | Institution: | University of Pennsylvania | | | Year Elected: | 1949 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1897 | | | Death Date: | 11/26/90 | | | | |
| 33 | Name: | Dr. Rosalind Krauss | | | Institution: | Columbia University | | | Year Elected: | 2012 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1940 | | | | | | |
Professor Krauss' attempts to understand the phenomenon of modernist art, in its historical, theoretical, and formal dimensions, have led her in various directions. She has, for example, been interested in the development of photography, whose history-running parallel to that of modernist painting and sculpture-makes visible certain previously overlooked phenomena in the "high arts," such as the role of the indexical mark, or the function of the archive. She has also investigated certain concepts, such as "formlessness," "the optical unconscious," or "pastiche," which organize modernist practice in relation to different explanatory grids from those of progressive modernism, or the avant-garde. | |
| 34 | Name: | Dr. Owen Lattimore | | | Year Elected: | 1943 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1900 | | | Death Date: | 5/31/89 | | | | |
| 35 | Name: | Dr. Lewis Lockwood | | | Institution: | Harvard University | | | Year Elected: | 2013 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1930 | | | | | | |
Lewis Lockwood is an American music historian. He has worked primarily in two fields: music and culture in Italy from c. 1400 to 1600; and the intensive study of Beethoven’s life and music. Lockwood was born in New York City in 1930 (by chance on Beethoven’s birthday), was trained as a cellist and continues to be active in chamber music. After attending the High School of Music and Art, then Queens College, he did his graduate studies at Princeton University with Oliver Strunk and others (Ph.D 1960). He taught at Princeton from 1958 to 1980, then moved to Harvard University, remaining there until his retirement in 2002. In 2010 he accepted appointment as Distinguished Senior Scholar in Musicology at Boston University.
Having been swept into Renaissance studies in his undergraduate years by Edward Lowinsky, his first area of scholarship was Italian music history of the 15th and 16th centuries. His dissertation on the north Italian 16th-century composer Vincenzo Ruffo showed the influence of church patronage on style in sacred music. His later work included numerous articles on sacred and secular music, culminating in his major book, Music in Renaissance Ferrara, 1400-1505 (1984, rev. 2009) This book was the first fully documented study of the rise of this important musical center, and received the Howard Marraro Prize of the Society of Italian Historians in 1985. In 2008 Lockwood received the Paul Oskar Kristeller Award from the Renaissance Society of America, and he holds honorary degrees from the Universita degli Studi di Ferrara, New England Conservatory, and Wake Forest University. In 2019 he shared the Guido Adler Prize of the International Music Association with fellow APS member Margaret Bent, in honor of "scholars who have made an outstanding contribution to musicology."
In the 1960's he turned towards the study of Beethoven, with a special focus on the vast patrimony of Beethoven’s surviving sketches and autograph manuscripts as evidence of his compositional process. Still only very partially known and published, these sources offer unparalleled insight into Beethoven’s methods of composition over his entire lifetime. Lockwood’s essay on the composing score of the cello sonata Op. 69 appeared in The Music Forum, 1970 and later in his Beethoven: Studies in the Creative Process (1992). In 2003 he brought out his Beethoven: The Music and the Life (New York: Norton). which has been translated into six language and was a finalist for a Pulitzer Prize in biography. This book gives primacy to Beethoven as composer while it also deals with the most salient issues in his life and career. In 2008, in collaboration with the members of the Juilliard String Quartet, he co-authored the book, Inside Beethoven’s Quartets. Most recently he has co-edited, with Alan Gosman, the critical edition of Beethoven’s "Eroica" Sketchbook (2013). He was the founding editor of Beethoven Forum, (1992-2007), the first serial scholarly publication on Beethoven produced in America. Lockwood was named by Joseph Kerman in the New York Review of Books as "a leading musical scholar of the postwar generation and the leading American scholar on Beethoven."
Lewis Lockwood was elected a members of the American Philosophical Society in 2013. | |
| 36 | Name: | Dr. James Robert McCredie | | | Institution: | Institute of Fine Arts, New York University | | | Year Elected: | 1986 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1935 | | | Death Date: | July 15, 2018 | | | | | | |
At the time of his death July 15, 2018, James R. McCredie was Sherman Fairchild Professor of Fine Arts Emeritus and Director Emeritus of the Institute of Fine Arts at New York University, with which he has been affiliated since 1963. A scholar of ancient Greek archaeology and architecture, he directed excavations in Samothrace and Aphrodisias and brought, in the words of a colleague, "scholarly stature and discriminating artistic intelligence" to his positions. The author or co-author of books such as Koronoi: A Ptolemaic Camp on the East Coast of Attica (1962) and Hippodamos of Miletos (1971), Dr. McCredie had been awarded the Gold Medal of the Pan-Samothracian Hearth of Athens (1981), among other honors. He was a member of Deutsches Archaologisches Institut and the Archaeological Society of Athens. | |
| 37 | Name: | Dr. Machteld J. Mellink | | | Institution: | Bryn Mawr College | | | Year Elected: | 1974 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1917 | | | Death Date: | February 24, 2006 | | | | |
| 38 | Name: | Dr. W. J. T. Mitchell | | | Institution: | University of Chicago | | | Year Elected: | 2014 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1942 | | | | | | |
W. J. T. Mitchell is Professor of English and Art History at the University of Chicago. He is editor of the interdisciplinary journal, Critical Inquiry, a quarterly devoted to critical theory in the arts and human sciences. A scholar and theorist of media, visual art, and literature, Mitchell is associated with the emergent fields of visual culture and iconology (the study of images across the media). He is known especially for his work on the relations of visual and verbal representations in the context of social and political issues. Under his editorship, Critical Inquiry has published special issues on public art, psychoanalysis, pluralism, feminism, the sociology of literature, canons, race and identity, narrative, the politics of interpretation, postcolonial theory, and many other topics. He has been the recipient of numerous awards including the Guggenheim Fellowship and the Morey Prize in art history given by the College Art Association of America. In 2003, he received the University of Chicago’s prestigious Faculty Award for Excellence in Graduate Teaching. His publications include: "The Pictorial Turn," Artforum, March 1992; "What Do Pictures Want?" October, Summer 1996; What Do Pictures Want? (2005); The Last Dinosaur Book: The Life and Times of a Cultural Icon (1998); Picture Theory (1994); Art and the Public Sphere (1993); Landscape and Power (1992); Iconology (1987); The Language of Images (1980); On Narrative (1981); and The Politics of Interpretation (1984). During his editorship, Critical Inquiry has published issues on canon-formation, gender, race and writing, public art, politics and poetic value, metaphor, psychoanalysis, identity politics, pluralism, new directions in art history, questions of evidence, and many other special topics.
Professor Mitchell has twice served as a Professor at the School of Criticism and Theory (Northwestern, 1983; Dartmouth, 1990), and he has lectured at universities and art museums throughout the United States, as well as in Europe and the Far East. Recent special teaching assignments include a Mellon Faculty Seminar at Tulane University, a seminar on Romanticism at Beijing Foreign Studies University in China, an NEH Summer Seminar for College Teachers at the University of Chicago, a post as Canterbury Visiting Fellow at Canterbury University, New Zealand, a visiting professorship at the Institute for Art History, Aarhus, Denmark, and two visiting professorships at the Institute for Fine Arts and English Department at New York University in 1998 and 2000. The South African Council for Scientific Development sponsored his lectures in Capetown, Durban, and Johannesburg in the summer of 1997, and Duke University invited him to give the Benenson Lectures in Art History in the spring of 2000. In the spring of 2002 he was awarded the Berlin Prize Fellowship to the American Academy in Berlin, and in the fall of 2002 he delivered the Alfonso Reyes Lectures in Mexico City. Other recent lectures include the W. E. B. Du Bois lectures at Harvard, and the Patten Lectures at Indiana University. He was a a research fellow at the Clark Institute for Art History in the fall of 2008, and received the MLA’s 2006 James Russell Lowell Prize in Language and Literature for What Do Pictures Want?. His recent publications include two books: Cloning Terror: The War of Images, September 11 to Abu Ghraib, and Critical Terms in Media Studies (with Mark Hansen). Seeing Through Race, was published by Harvard University Press in the spring of 2012, followed closely in the spring of 2013 by Occupy: Three Inquiries in Disobedience, co-authored with Michael Taussig and Bernard Harcourt. He is currently working on a new book, Seeing Madness: Insanity, Media, and Visual Culture. | |
| 39 | Name: | Dr. Gülrü Necipoglu | | | Institution: | Harvard University | | | Year Elected: | 2007 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1956 | | | | | | |
Gülrü Necipoglu has been Aga Khan Professor of Islamic Art and Architecture at Harvard University since 1993. She earned her Ph.D. from Harvard in 1986. Professor Necipoglu is the author of Architecture, Ceremonial and Power: The Topkapi Palace (1991); The Topkapi Scroll, Geometry and Ornament in Islamic Architecture (1995); and The Age of Sinan: Architectural Culture in the Ottoman Empire (2005). She is also the editor of Muqarnas: An Annual on Islamic Art and Architecture and Supplements to Muqarnas. Her Topkapi Scroll won the Albert Hourani Book Award and the Spiro Kostoff Book Award. The Age of Sinan has been awarded the Fuat Koprulu Book Prize. She is a member of the American Philosophical Society and the International Palladio Center for the Study of Architecture in Vicenza. | |
| 40 | Name: | Dr. Otto E. Neugebauer | | | Institution: | Institute for Advanced Study | | | Year Elected: | 1947 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Deceased
| | | Birth Date: | 1899 | | | Death Date: | 2/19/90 | | | | |
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