| 1 | Name: | Dr. Svetlana Alpers | | Institution: | New York University; University of California, Berkeley | | Year Elected: | 2011 | | Class: | 4. Humanities | | Subdivision: | 401. Archaeology | | Residency: | Resident | | Living? : |
Living
| | Birth Date: | 1936 | | | | | Svetlana Alpers is an art historian, critic, and artist. She was born in Cambridge, Mass., studied History and Literature at Radcliffe, turning from text to image for a PhD. In Fine Arts. She studied briefly with Richard Krautheimer at the IFA in New York, then formatively with the visiting E.H. Gombrich at Harvard and taught at the University of California, Berkeley from 1962-94. She published on Flemish art before turning to Dutch art with The Art of Describing, with books on Rembrandt, Rubens, Tiepolo (with Michael Baxandall) and on the Vexations of Art: Velazquez and Others. She was a founding editor of Representations. A group of photographic prints after Tiepolo from the series "Painting then for now" (with James Hyde and Barney Kulok) is in the collection of the Museum of Modern Art, New York. | |
2 | Name: | Dr. Susan D. Gubar | | Institution: | Indiana University | | Year Elected: | 2011 | | Class: | 4. Humanities | | Subdivision: | 401. Archaeology | | Residency: | Resident | | Living? : |
Living
| | Birth Date: | 1944 | | | | | A literary and cultural critic, Susan Gubar is Ruth Halls Professor and Distinguished Professor Emerita at Indiana University. With co-author Sandra M. Gilbert, she published The Madwoman in the Attic: The Woman Writer and the 19th-Century Literary Imagination in 1979 (Yale University Press), a finalist for both The Pulitzer Prize and the National Book Critics Circle Award. The project was the beginning of many collaborative projects between the two, who together won a 1985 Ms. Woman of the Year award for their compilation of the Norton Anthology of Literature of Women. They also co-authored a critical trilogy titled No Man's Land: The Place of the Woman Writer in the Twentieth Century--The War of the Words (1988), Sexchanges (1989), and Letters from the Front (1994); a collection of poetry for and about mothers, MotherSongs (Norton, 1995); and a satire on the current state of literacy and cultural literacy, Masterpiece Theatre: An Academic Melodrama (Rutgers, 1995).
Gubar’s subsequent books include Racechanges: White Skin, Black Face in American Culture (Oxford, 1997); a compilation of essays, Critical Condition: Feminism at the Turn of the Century (Columbia, 2000); and Poetry After Auschwitz: Remembering What One Never Knew (Indiana, 2003), the product of her year as a Laurence S. Rockefeller Fellow at Princeton University's Center for Human Values. In 2005, she published the first annotated edition of Virginia Woolf's A Room of One's Own in the States (Harcourt Brace). In 2006, her book Rooms of Our Own (Illinois) won an Honorable Mention award from the Gustavus Myers Center for the Study of Bigotry and Human Rights, and in 2007, with Gilbert, she published a third edition of the Norton Anthology of Literature by Women as well as a Norton Reader of Feminist Literary Theory and Criticism. Her cultural biography of Judas (Norton, 2009), the twelfth apostle, was listed in Magill’s Literary Annual as one of the best books of 2009. She recently wrote Memoir of a Debulked Woman: Ending Ovarian Cancer in 2012.
The recipient of awards from the National Endowment for the Humanities and the Guggenheim Foundation, Gubar was the 2003 recipient of The Faculty Mentor Award from IU's Graduate Professional Student Organization and received the 2010 President's Medal for Excellence, among the highest honors an IU president can bestow. Currently, she has completed the editing of True Confessions: Feminist Professors Tell Stories Out of School (forthcoming from Norton), a collection of autobiographical essays by the first generation of women to integrate the study of gender into such disciplines as philosophy, art history, comparative literature, religion, psychology, anthropology, and African American studies. | |
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