American Philosophical Society
Member History

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401. Archaeology[X]
1Name:  Dr. Leonard Barkan
 Institution:  Princeton University
 Year Elected:  2005
 Class:  4. Humanities
 Subdivision:  401. Archaeology
 Residency:  Resident
 Living? :   Living
 Birth Date:  1944
Leonard Barkan is the Arthur W. Marks '19 Professor of Comparative Literature at Princeton and Director of the Society of Fellows in the Liberal Arts. He has been a professor of English and of Art History at universities including Northwestern, Michigan, and N.Y.U. Among his books are The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism and Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture, which won prizes from the Modern Language Association, the College Art Association, the American Comparative Literature Association, Phi Beta Kappa, and the PEN America Center. He has been an actor and a director; he is also a regular contributor to publications in both the U.S. and Italy, where he writes on the subject of food and wine. He has recently completed Satyr Square, which is an account of art, literature, food, wine, Italy, and himself; it will be published by Farrar, Straus & Giroux in 2006. His current project is a scholarly study of the relations among words, images, and pleasure from Plato to the Renaissance. He recently won the Morton Dauwen Zabel Award from the American Academy of Arts and Letters.
2Name:  Dr. Hans Belting
 Institution:  Internationales Forschungszentrum Kulturwissenschaften, Vienna
 Year Elected:  2005
 Class:  4. Humanities
 Subdivision:  401. Archaeology
 Residency:  International
 Living? :   Living
 Birth Date:  1935
Hans Belting is perhaps Germany's most creative art historian. In his College Art Association citation he is described as "the most influential scholar of medieval art of his generation," having made "fundamental contributions to the history of Byzantine wall painting and manuscript illumination, Carolingian art in Rome and Gaul, Italian Trecento mural decoration and early Flemish panel painting." His many books are based on a wide spectrum of methods: traditional style and iconographic analysis, reception theory, archaeological and anthropological techniques and the critique of patronage. But he has also contributed powerfully to contemporary theory in the discipline, particularly in The End of the History of Art, and to the history and criticism of contemporary art. Dr. Belting's other published works include Likeness and Presence: A History of the Image Before the Era of Art (1984); The Germans and Their Art: A Troublesome Relationship (1998); The Invisible Masterpiece: The Modern Myths of Art (2001); and Hieronymus Bosch: The Garden of Earthly Delights (2002). Formerly the Mary Jane Crowe Professor at Northwestern University and the director of the Internationales Forschungszentrum Kulturwissenschaften in Vienna, Dr. Belting is a member of the Medieval Academy of America; the American Academy of Arts & Sciences; the Heidelberger Akademie der Wissenschaften; and the Academia Europaea. He received his Ph.D. from Mainz University in 1959.
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