| | 21 | Name: | Dr. Margaret Murnane | | | Institution: | University of Colorado at Boulder | | | Year Elected: | 2015 | | | Class: | 1. Mathematical and Physical Sciences | | | Subdivision: | 106. Physics | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1959 | | | | | | |
Margaret Murnane is a Fellow of JILA and a Distinguished Professor in Physics at the University of Colorado. She runs a joint, multi-disciplinary, research group with her husband, Prof. Henry Kapteyn. She received her B.S and M.S. degrees from University College Cork, Ireland, and her Ph.D. degree from UC Berkeley. Prof. Murnane with her students and collaborators uses coherent beams of laser and x-ray light to capture the fastest dynamics in molecules and materials at the nanoscale. Margaret is a Fellow of the Optical Society of America, the American Physical Society, and the AAAS. She was elected to the National Academy of Sciences in 2004, and chaired the President’s Committee for the National Medal of Science for three years. She was awarded a John D. and Catherine T. MacArthur Fellowship in 2000. She shared the 2009 Ahmed Zewail Award of the American Chemical Society, the 2010 Schawlow Prize of the American Physical Society, and the 2010 R.W. Wood Prize of the Optical Society of America with her husband Henry Kapteyn. She received the 2021 Benjamin Franklin Medal in Physics from the Franklin Institute. Margaret is very interested in increasing diversity in science and engineering. | |
| 22 | Name: | Dr. Anne Walters Robertson | | | Institution: | University of Chicago | | | Year Elected: | 2015 | | | Class: | 4. Humanities | | | Subdivision: | 401. Archaeology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1956 | | | | | | |
Anne Walters Robertson is a music historian who writes on subjects ranging from the plainchant of the early church to the Latin and vernacular polyphony of the late middle ages. She is currently Dean of the Division of the Humanities at the University of Chicago. In her work, liturgical and secular music, and often the interactions of the two, mirror theological and courtly ideas and shape the development of medieval spirituality and personal devotion, architecture, institutional identity, and politics. The theme of French royal culture also winds its way through Robertson’s books, which focus on the history of music at the cathedral of Reims, where the kings of France were crowned, and the music and liturgy of the abbey of St-Denis of Paris, where the kings were buried. Her research on fourteenth-century polyphony points to the fundamental roles of local musical dialect in understanding Philippe de Vitry’s life and music, and of mystical theology in illuminating the compositions of Guillaume de Machaut. More recently, she has studied the symbolic and folkloric aspects of the seminal masses and motets of the fifteenth and early sixteenth centuries, as the title of her 2006 article, "The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet," suggests. She has taught at the University of Chicago since 1984, where, throughout her career, she has been involved in the work of the broader University and the professional organizations, serving as Deputy Provost for Research and Education (2001-4) and Chair of the Music Department (1992-98, 2008, 2014-17), and as Co-Chair of the OPUS Campaign of the American Musicological Society (2005-9) and President of the AMS (2011-2012).
Robertson studied piano at the University of Houston (B.Mus., August 1974, summa cum laude and valedictorian; M.Mus. 1976) and music theory at the Shepherd School of Music, Rice University (M.Mus. 1979) before taking the Ph.D. in musicology at Yale University (1984). She is the first scholar to win all three awards of the Medieval Academy of America: the Haskins Medal (2006) for her book Guillaume de Machaut and Reims: Context and Meaning in his Musical Works (Cambridge University Press, 2002), the John Nicholas Brown Prize (1995) for The Service Books of the Royal Abbey of Saint Denis: Images of Ritual and Music in the Middle Ages (Oxford: Clarendon Press, 1991), and the Van Courtlandt Elliott Prize (1987). Another trio of prizes, bestowed by the AMS, includes the H. Colin Slim Award (2007), the Otto Kinkeldey Award (2003), and the Alfred Einstein Award (1989). In 2007, the Yale Graduate School Alumni Association presented her with the Wilbur Lucius Cross Medal. She has received grants and fellowships from the George A. and Eliza Gardner Howard Foundation (1996-97), the John Simon Guggenheim Memorial Foundation (1992), the American Philosophical Society (1990), the National Endowment for the Humanities (1990, 1986-87, 1985), the American Council of Learned Societies (1988, 1986), the Martha Baird Rockefeller Fund for Music (1982 83), the Fulbright Program (France, 1981 82), and the American Association of University Women (honorary, 1982). Robertson became a fellow of the American Academy of Arts and Sciences in 2008 and a member of the American Philosophical Society in 2015. | |
| 23 | Name: | Dr. Thomas Eugene Shenk | | | Institution: | Princeton University | | | Year Elected: | 2015 | | | Class: | 2. Biological Sciences | | | Subdivision: | 209. Neurobiology | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1947 | | | | | | |
Thomas Shenk is the James A. Elkins, Jr, Professor of Life Sciences in the Department of Molecular Biology at Princeton University. He is a virologist, who has investigated gene functions and pathogenesis of adenovirus, a DNA tumor virus, and human cytomegalovirus, a member of the herpes family of viruses. His laboratory’s current areas of focus include the dissection of cytomegalovirus gene functions, persistence and latency.
Dr. Shenk served as chair of Princeton’s Department of Molecular Biology for two terms. He has served as editor-in-chief of the Journal of Virology and as Chair of the Council for Research and Clinical Investigation of the American Cancer Society. He is a past president of the American Society for Virology and the American Society for Microbiology. He served on the board of directors of Merck and Company for 11 years, and he currently serves as a board member of Kadmon Pharmaceuticals, Forge Life Science, the Fox Chase Cancer Center and the Hepatitis B Foundation.
Dr. Shenk is the recipient of the Eli Lilly Award from the American Society for Microbiology, an American Cancer Society Professorship and an Investigatorship from the Howard Hughes Medical Institute. He is a fellow of the American Academy of Microbiology, the American Academy of Arts and Sciences and the American Association for the Advancement of Science; and he is a member of the U.S. National Academy of Sciences and the U.S. Institute of Medicine. He was elected to membership in the American Philosophical Society in 2015. | |
| 24 | Name: | Dr. David Dean Shulman | | | Institution: | Hebrew University | | | Year Elected: | 2015 | | | Class: | 4. Humanities | | | Subdivision: | 405. History and Philology, East and West, through the 17th Century | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1949 | | | | | | |
I was born in Waterloo, Iowa (1949) and grew up among the fields, and under the vast open skies, of the Midwest. In 1967 I moved to Israel because I had fallen in love with the Hebrew language and wanted to live where it is spoken. In the course of my B.A. years I fell in love with another language, Persian, and with its classical poetry. I went on pilgrimage to the graves of Sa'di and Hafez in Shiraz. From Iran I drifted, without premeditation, eastward to India.
At SOAS I was trained in Tamil by my guru, John Ralston Marr, and in South Asian studies generally and in Sanskrit by Wendy Doniger, Peter Khoroche, J. E. B. Gray, and Tuvia Gelblum. My dissertation focused on the mythology of the great Tamil temples as embodied in a large literature of classical sthalapurāṇas. Since 1976 I have been teaching Sanskrit, Tamil, Telugu, and South Asian cultural and religious history at the Hebrew University.
Ever restless, I wanted to learn another south Indian language and was drawn into the magnetic field of force of Velcheru Narayana Rao, the doyen of Telugu studies in this generation. In 1982-1983 I studied with him at the University of Wisconsin. Slowly Telugu became the center of my work, and Andhra, a second home. Narayana Rao and I have collaborated on many books on Telugu literature and the cultural history of Andhra Pradesh. I have also worked closely with Sanjay Subrahmanyam together with Narayana Rao (Symbols of Substance, 1992 and Textures of Time, 2002) and with my colleague in Jerusalem, Don Handelman (two books on south Indian Śaivism and fieldwork on the goddess Gangamma at Tirupati and the Golden Goddess, Paiditalli, in Vizianagaram).
Of the various books I have written, I am most proud of the monograph documenting the seventeenth-century ceiling paintings at the Tiruvarur temple in Tamil Nadu, since these paintings were in grave danger of being lost through neglect and erosion (they have now been carefully conserved through the last-minute intervention of a team lead by Ranvir Shah of Chennai). The book offers a complete photographic record of these masterpieces, by V. K. Rajamani, the finest art photographer in South India.
My enduring passion is for Indian classical music, both in the northern Hindustani-Dhrupad style, which I have studied with Osnat Elkabir, and in the south Indian Carnatic tradition. I am working on a series of essays on Carnatic compositions.
In recent years I have become fascinated with Kūṭiyāṭṭam, the last living tradition of Sanskrit drama and one of the classical performing arts of Kerala. Together with my Sanskrit and Malayalam students and with colleagues from Germany, particularly Heike Moser of Tuebingen, I have had the privilege of watching full-scale performances - ranging from 12 hours to 150 hours - of the main repertoire of major troupes in Mūḻikkuḷam and Kiḷḷimangalam, in central Kerala. I hope to complete a book on these performances sometime soon.
I am also a grass-roots peace activist in Israel-Palestine, concentrating mostly on the area of the south Hebron hills, where we have been able to make a difference in the lives of the Palestinian farmers and herders living under the harsh conditions of the Israeli Occupation. My experiences there are recorded in Dark Hope: Working for Peace in Israel and Palestine (University of Chicago Press, 2007). | |
| 25 | Name: | Ms. Twyla Tharp | | | Institution: | Twyla Tharp Dance | | | Year Elected: | 2015 | | | Class: | 5. The Arts, Professions, and Leaders in Public & Private Affairs | | | Subdivision: | 501. Creative Artists | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1941 | | | | | | |
Since graduating from Barnard College in 1963, Ms. Tharp has choreographed more than one hundred sixty works: one hundred twenty-nine dances, twelve television specials, six Hollywood movies, four full-length ballets, four Broadway shows and two figure skating routines. She received one Tony Award, two Emmy Awards, nineteen honorary doctorates, the Vietnam Veterans of America President's Award, the 2004 National Medal of the Arts, the 2008 Jerome Robbins Prize, and a 2008 Kennedy Center Honor. Her many grants include the John D. and Catherine T. MacArthur Fellowship. She is a member of the American Academy of Arts and Sciences and an Honorary Member of the American Academy of Arts and Letters. In 1965, Ms. Tharp founded her dance company, Twyla Tharp Dance. Her dances are known for creativity, wit and technical precision coupled with a streetwise nonchalance. By combining different forms of movement - such as jazz, ballet, boxing and inventions of her own making - Ms. Tharp’s work expands the boundaries of ballet and modern dance. In addition to choreographing for her own company, she has created dances for The Joffrey Ballet, American Ballet Theatre, The Paris Opera Ballet, The Royal Ballet, New York City Ballet, The Boston Ballet, The Australian Ballet, Hubbard Street Dance Chicago, The Martha Graham Dance Company, Miami City Ballet, Pacific Northwest Ballet, Atlanta Ballet and Royal Winnipeg Ballet. Today, ballet and dance companies around the world continue to perform Ms. Tharp’s works.
In 1992, Ms. Tharp published her autobiography PUSH COMES TO SHOVE. She went on to write THE CREATIVE HABIT: Learn it and Use it for Life, followed by THE
COLLABORATIVE HABIT: Life Lessons for Working Together.
Today, Ms. Tharp continues to create. | |
| 26 | Name: | Dr. Jeremy Waldron | | | Institution: | New York University | | | Year Elected: | 2015 | | | Class: | 3. Social Sciences | | | Subdivision: | 304. Jurisprudence and Political Science | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1953 | | | | | | |
Professor Waldron is University Professor and Professor of Law at New York University, a position which, until recently, he held in conjunction with his appointment as Chichele Professor of Social and Political Theory and Fellow of All Souls College, Oxford. He teaches courses in legal philosophy and democratic and constitutional theory. He was previously University Professor at Columbia University, based in the law school, and before that he was Laurance S. Rockefeller Professor of Politics at Princeton University, and Professor of Law in the Jurisprudence and Social Policy Program at the University of California at Berkeley.
Professor Waldron was born and educated in New Zealand, where he studied for degrees in philosophy and in law at the University of Otago. He was admitted as a Barrister and Solicitor of the Supreme Court of New Zealand in 1978. He studied at Oxford for his doctorate in legal philosophy, and taught there as a Fellow of Lincoln College before moving to the University of Edinburgh as a lecturer in political theory. He moved to the United States in 1987.
He has written and published extensively in political theory and jurisprudence. His books and articles on theories of rights, on constitutionalism, on the rule of law, and on democracy, property, torture, security, and homelessness are well known, as is his work in historical political theory (on Aristotle, Thomas Hobbes, John Locke, Jeremy Bentham, John Stuart Mill, and Hannah Arendt). He is the author of more than a hundred articles and his books include The Right to Private Property (1988), Liberal Rights (1993), Law and Disagreement (1999), The Dignity of Legislation (1999) God, Locke, and Equality (2002), Torture, Terror and Trade-offs: Philosophy for the White House (2010), Partly Laws Common to All Mankind: Foreign Law in American Courts (2012), Dignity, Rank, and Rights (2012) and The Harm in Hate Speech (2012).
Professor Waldron is a prolific lecturer. He delivered the Gifford Lectures (on basic human equality) at Edinburgh in early 2015, the Holmes Lectures (on hate speech) at Harvard Law School in Fall 2009, the Tanner Lectures (on human dignity) at Berkeley in Spring 2009, and the Storrs Lectures at Yale Law School in 2007. He also delivered the second series of Seeley Lectures at Cambridge University in 1996, the 1999 Carlyle Lectures at Oxford University, the 2011 Law Lecture at the British Academy, and the. Waldron was elected to the American Academy of Arts and Sciences in 1998, and he was elected as a Fellow of the British Academy in July 2011. He has had honorary doctorates in law conferred by the University of Otago and the Catholic University of Brussels. He received the American Philosophical Society’s Henry Phillips Prize in Jurisprudence in April 2011 and was elected to membership of the Society in 2015. | |
| 27 | Name: | Ms. Rosanna Warren | | | Institution: | Committee on Social Thought, University of Chicago | | | Year Elected: | 2015 | | | Class: | 5. The Arts, Professions, and Leaders in Public & Private Affairs | | | Subdivision: | 501. Creative Artists | | | Residency: | Resident | | | Living? : |
Living
| | | Birth Date: | 1953 | | | | | | |
Rosanna Warren is the Hanna Holborn Gray Distinguished Service Professor in the Committee on Social Thought at the University of Chicago. Her book of criticism, Fables of the Self: Studies in Lyric Poetry, came out in 2008. Her most recent books of poems are Departure (2003) and Ghost in a Red Hat (2011). In 2020 she wrote Max Jacob: A Life in Art and Letters. She is the recipient of awards from the Academy of American Poets, The American Academy of Arts & Letters, the Lila Wallace Foundation, the Guggenheim Foundation, and the New England Poetry Club, among others. She was a Chancellor of the Academy of American Poets from 1999 to 2005, and is a member of the American Academy of Arts and Letters, and the American Academy of Arts and Sciences. | |
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