| 301 | Name: | Dr. James Robert McCredie | | Institution: | Institute of Fine Arts, New York University | | Year Elected: | 1986 | | Class: | 4. Humanities | | Subdivision: | 401. Archaeology | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1935 | | Death Date: | July 15, 2018 | | | | | At the time of his death July 15, 2018, James R. McCredie was Sherman Fairchild Professor of Fine Arts Emeritus and Director Emeritus of the Institute of Fine Arts at New York University, with which he has been affiliated since 1963. A scholar of ancient Greek archaeology and architecture, he directed excavations in Samothrace and Aphrodisias and brought, in the words of a colleague, "scholarly stature and discriminating artistic intelligence" to his positions. The author or co-author of books such as Koronoi: A Ptolemaic Camp on the East Coast of Attica (1962) and Hippodamos of Miletos (1971), Dr. McCredie had been awarded the Gold Medal of the Pan-Samothracian Hearth of Athens (1981), among other honors. He was a member of Deutsches Archaologisches Institut and the Archaeological Society of Athens. | |
302 | Name: | Walton B. McDaniel | | Year Elected: | 1917 | | Class: | 4. Humanities | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1871 | | | |
303 | Name: | Dr. Jerome J. McGann | | Institution: | University of Virginia; University of California, Berkeley | | Year Elected: | 2014 | | Class: | 4. Humanities | | Subdivision: | 402a | | Residency: | Resident | | Living? : |
Living
| | Birth Date: | 1937 | | | | | Jerome McGann is John Stewart Bryan Professor in the Department of English at the University of Virginia.
Ph.D., Yale University, 1966. He was Assistant Professor, University of Chicago, 1966-75; Professor, Johns Hopkins University, 1975-80; Dreyfuss Professor of the Humanities at the California Institute of Technology, 1980-86; Commonwealth Professor, University of Virginia, 1986-93; Thomas Holloway Professor of Victorian Studies, Royal Holloway College, University of London, 1999-2002. He has been Research Fellow at the University of California, Berkeley since 2007.
No one has done as much to guarantee the future of digital Humanities as Jerome McGann. He was President of the Society for Textual Scholarship (1995-97). Dr. McGann is co-founder of the University of Virginia Speculative Computing Laboratory (SPECLAB), Networked Infrastructure for Nineteenth-Century Electronic Scholarship (NINES), and The Ivanhoe Project. His first monumental book on textual theory, in which he developed the idea that one has to treat texts as socialized, came out of his work on the poetry of Byron. His interests rapidly moved in the direction of digital presentation of sources. His Dante Gabriele Rossetti archive at Virginia has been a model as to what it is possible to accomplish, and since setting that up he has been actively involved in all kinds of on-line procedures, of which his NINES project is only the latest manifestation. McGann has been the most important person in this entire area. Whereas others could simply have derived a new perspective from his Byron experience, McGann has used it as a way to rethink the entire editorial enterprise in terms of the web and on-line possibilities. This turns out to be particularly important for writers who were also engaged in art, such as Rossetti or Blake.
He is the author of many books, including: A Critique of Modern Textual Criticism (1983); The Beauty of Inflections, Literary Investigations in Historical Method and Theory (1985); Social Values and Poetic Acts (1987); The Textual Condition, 1991; Byron and Romanticism, (2002); Radiant Textuality, Literature since the World Wide Web (2004); The Scholar’s Art, Literary Studies in a Managed World (2006); The Poet Edgar Allen Poe: Alien Angel (2014); and A New Republic of Letters: Humanities Scholarship in an Age of Digital Reproduction (2014). He was elected to the American Academy of Arts & Sciences in 1994. Jerome McGann has been the recipient of many prizes, including the Richard W. Lyman Award for Distinguished Contribution to Humanities Computing, the James Russell Lowell Award from The Modern Language Association, a Distinguished Achievement Award from the Andrew W. Mellon Foundation, and a Thomas Jefferson Award from the University of Virginia. Jerome McGann was elected a member of the American Philosophical Society in 2014. | |
304 | Name: | Millard Meiss | | Year Elected: | 1963 | | Class: | 4. Humanities | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1904 | | Death Date: | 6/12/75 | | | |
305 | Name: | Dr. Machteld J. Mellink | | Institution: | Bryn Mawr College | | Year Elected: | 1974 | | Class: | 4. Humanities | | Subdivision: | 401. Archaeology | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1917 | | Death Date: | February 24, 2006 | | | |
306 | Name: | Dr. Edward Mendelson | | Institution: | Columbia University | | Year Elected: | 2017 | | Class: | 4. Humanities | | Subdivision: | 402a | | Residency: | Resident | | Living? : |
Living
| | Birth Date: | 1946 | | | | | Edward Mendelson is the Lionel Trilling Professor in the Humanities at Columbia University and the Literary Executor of the Estate of W. H. Auden. He has also taught at Yale and Harvard. His books include Early Auden, Later Auden, The Things that Matter, and Moral Agents, and he has edited many volumes of work by W. H. Auden as well as novels by Anthony Trollope, George Meredith, Thomas Hardy, and Arnold Bennett. He is a frequent contributor to The New York Review of Books, and has also published in The New York Times Book Review, TLS, The London Review of Books, The New Republic, and elsewhere. He has been a contributing editor of PC Magazine since 1987. | |
307 | Name: | Dr. Benjamin D. Meritt | | Institution: | Institute for Advanced Study & University of Texas | | Year Elected: | 1938 | | Class: | 4. Humanities | | Subdivision: | 402. Criticism: Arts and Letters | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1899 | | Death Date: | 7/7/89 | | | |
308 | Name: | Dr. Bruce M. Metzger | | Institution: | Princeton Theological Seminary | | Year Elected: | 1986 | | Class: | 4. Humanities | | Subdivision: | 404. History of the Arts, Literature, Religion and Sciences | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1914 | | Death Date: | February 13, 2007 | | | |
309 | Name: | Dr. Piotr Michalowski | | Institution: | University of Michigan, Ann Arbor | | Year Elected: | 1999 | | Class: | 4. Humanities | | Subdivision: | 404b | | Residency: | Resident | | Living? : |
Living
| | Birth Date: | 1948 | | | | | Piotr Michalowski is George G. Cameron Professor of Ancient Near Eastern Civilizations at the University of Michigan. Educated at Warsaw and Yale Universities, he then went on to do research and teach at Harvard, UCLA and the University of Pennsylvania. Dr. Michalowski's work concentrates on the literatures, religion, history, historiography, and languages of ancient Mesopotamia, with special attention to the early periods. Dr. Michalowski is currently working on a number of projects, including an edition of a major collection of Sumerian magical texts and an anthology of Sumerian poetry. His most recent publications include work on Sumerian goddesses, a study of the ideology of Nabonidus, the last independent king of Babylon, and a grammatical sketch of the Sumerian language. Also, for the last decade, he has been editor of the Journal of Cuneiform Studies. In light of recent world events, Dr. Michalowski organized and continues to guide the American Coordinating Committee for Iraqi Cultural Heritage. He was elected to the American Philosophical Society in 1999, was elected President of the International Association of Assyriologists in 2009, and was awarded a Guggenheim Fellowship in 2007. | |
310 | Name: | George C. Miles | | Year Elected: | 1966 | | Class: | 4. Humanities | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1904 | | Death Date: | 10/15/75 | | | |
311 | Name: | Perry Miller | | Year Elected: | 1956 | | Class: | 4. Humanities | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1905 | | Death Date: | 12/9/63 | | | |
312 | Name: | Dr. J. Hillis Miller | | Institution: | University of California, Irvine | | Year Elected: | 2004 | | Class: | 4. Humanities | | Subdivision: | 402. Criticism: Arts and Letters | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1928 | | Death Date: | February 9, 2021 | | | | | J. Hillis Miller taught for many years at the Johns Hopkins University and then at Yale University before moving in 1986 to the University of California, Irvine, where he was UCI Distinguished Research Professor of English and Comparative Literature Emeritus. He was the author of many books and essays on nineteenth and twentieth-century English, European, and American literature, and on literary theory. His most recent books are Others (2001), Speech Acts in Literature (2002), On Literature (2002), and Zero Plus One (2003). His recent work includes a book on speech acts in the novels and stories of Henry James. A J. Hillis Miller Reader has also recently appeared from Edinburgh University Press and Stanford University Press. He died on February 9, 2021. | |
313 | Name: | Dr. Mary Miller | | Institution: | Getty Research Institute | | Year Elected: | 2021 | | Class: | 4. Humanities | | Subdivision: | 402b | | Residency: | Resident | | Living? : |
Living
| | Birth Date: | 1952 | | | | | Mary Miller became Director of the Getty Research Institute on January 1, 2019. She was Sterling Professor of History of Art at Yale and served as Dean of Yale College from 2008-2014.
Mary Miller has held many administrative posts at Yale and served as Dean of Yale College 2008-2014. From 2016-18, she was Senior Director of the Institute for the Preservation of Cultural Heritage on Yale’s West Campus. In that capacity, she advanced the sustainable care, study, and use of the world’s cultural heritage through multidisciplinary research, innovation in technology and conservation practice, education, and advocacy.
Professor Miller is a specialist of the art of the ancient New World and has been recognized for both her scholarly contributions and her curatorial expertise. She curated The Courtly Art of the Ancient Maya at the National Gallery of Art, Washington, D.C., and the Fine Arts Museums of San Francisco in 2004 and co-curated landmark exhibition The Blood of Kings with Linda Schele at the Kimbell Art Museum in 1986. For both exhibitions, she co-wrote the catalogues of the same title, the former with Simon Martin, and the latter with Linda Schele. Among her many books are The Murals of Bonampak, The Art of Mesoamerica (now entering its 6th edition), Maya Art and Architecture (with Megan O’Neil), The Gods and Symbols of Ancient Mexico and the Maya (with Karl Taube), and A Pre-Columbian World (co-edited with Jeffrey Quilter). With Barbara Mundy, Miller edited Painting a Map of Mexico City, a study of the rare indigenous map in the Beinecke Library (2012); and with Claudia Brittenham, she wrote The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak (2013).
For her work on ancient Mexico and the Maya, Miller has won national recognition including a Guggenheim Fellowship and a Getty Grant. She was elected to the American Academy of Arts and Sciences in 1994. She delivered the Fifty-ninth A W Mellon lectures at the National Gallery of Art in 2010 and the Slade Lectures at Cambridge University in 2015. A national Phi Beta Kappa lecturer in 2016-17, she will be OCAT lecturer in Beijing later in 2021. | |
314 | Name: | Dr. Henry A. Millon | | Institution: | National Gallery of Art | | Year Elected: | 1989 | | Class: | 4. Humanities | | Subdivision: | 404. History of the Arts, Literature, Religion and Sciences | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1927 | | Death Date: | April 3, 2018 | | | | | Henry A. Millon was born in Altoona, Pennsylvania in 1927. His father was an aerial photographer; his mother, a daughter of the publisher of a French language newspaper in New York. In March 1944 he entered a U.S. Navy ROTC program at Tulane University where, after active duty in 1946, he returned to obtain sequential undergraduate degrees in English, physics, and architecture. Thereafter he attended Harvard University where he received a Master's in Architecture and Urban Design, and a master's and Ph.D. in History of Art. After three years in Italy as a Fulbright Fellow and a Fellow of the American Academy in Rome preparing a dissertation, he returned to Cambridge in 1960 to teach at MIT, where he continued as a visiting professor. From 1974-77 he was director of the American Academy in Rome. In 1980 he became the first dean of the Center of Advanced Study in the Visual Arts of the National Gallery of Art, a post held until is retirement at the close of 2000. Professor Millon's work concentrated on the history of architecture. His publications include Baroque and Rococo Architecture (1961), Key Monuments of the History of Architecture (1964), Filippo Juvarra. Drawings from the Roman Period, Part I, (1984, Part II, with A. Griseri, et al (1999), three exhibition catalogues, Michelangelo Architect, with C.H. Smyth (1988), The Renaissance from Brunelleschi to Michelangelo, with V. Lampugnani (1984), The Triumph of the Baroque (1999), and numerous articles. Dr. Millon had held grants from the American Council of Learned Societies, the National Endowment for the Humanities, the Institute for Advanced Study, the Getty Research Institute, and a Senior Fulbright. He had received awards from the American Institute of Architects: Academie des sciences morale et politique, Institut de France as well as the College Art Association. Dr. Millon served as President of the Society of Architectural Historians; Convener of the Architectural Drawings Advisory Group; President of the Foundation for Documents of Architecture; Committee for the History of Art; Vice-Chair of the Council on American Overseas Research Centers; Chair of the Dumbarton Oaks Senior Fellows Committee, Program in History of Landscape Architecture; President of the International Union of Academies of Archaeology, History and History of Art in Rome; President of the University Film Study Center; Vice-Chair of the Boston Landmarks Commission; and Co-Chair of the Advisory Committee of the Cambridge Architectural Historical Survey. Elected a member in 1989, he served as Curator of Fine Arts for the American Philosophical Society 1998 to 2015. Henry A. "Hank" Millon died April 3, 2018 at the age of 91 at home in Washington, DC. | |
315 | Name: | Dr. W. J. T. Mitchell | | Institution: | University of Chicago | | Year Elected: | 2014 | | Class: | 4. Humanities | | Subdivision: | 401. Archaeology | | Residency: | Resident | | Living? : |
Living
| | Birth Date: | 1942 | | | | | W. J. T. Mitchell is Professor of English and Art History at the University of Chicago. He is editor of the interdisciplinary journal, Critical Inquiry, a quarterly devoted to critical theory in the arts and human sciences. A scholar and theorist of media, visual art, and literature, Mitchell is associated with the emergent fields of visual culture and iconology (the study of images across the media). He is known especially for his work on the relations of visual and verbal representations in the context of social and political issues. Under his editorship, Critical Inquiry has published special issues on public art, psychoanalysis, pluralism, feminism, the sociology of literature, canons, race and identity, narrative, the politics of interpretation, postcolonial theory, and many other topics. He has been the recipient of numerous awards including the Guggenheim Fellowship and the Morey Prize in art history given by the College Art Association of America. In 2003, he received the University of Chicago’s prestigious Faculty Award for Excellence in Graduate Teaching. His publications include: "The Pictorial Turn," Artforum, March 1992; "What Do Pictures Want?" October, Summer 1996; What Do Pictures Want? (2005); The Last Dinosaur Book: The Life and Times of a Cultural Icon (1998); Picture Theory (1994); Art and the Public Sphere (1993); Landscape and Power (1992); Iconology (1987); The Language of Images (1980); On Narrative (1981); and The Politics of Interpretation (1984). During his editorship, Critical Inquiry has published issues on canon-formation, gender, race and writing, public art, politics and poetic value, metaphor, psychoanalysis, identity politics, pluralism, new directions in art history, questions of evidence, and many other special topics.
Professor Mitchell has twice served as a Professor at the School of Criticism and Theory (Northwestern, 1983; Dartmouth, 1990), and he has lectured at universities and art museums throughout the United States, as well as in Europe and the Far East. Recent special teaching assignments include a Mellon Faculty Seminar at Tulane University, a seminar on Romanticism at Beijing Foreign Studies University in China, an NEH Summer Seminar for College Teachers at the University of Chicago, a post as Canterbury Visiting Fellow at Canterbury University, New Zealand, a visiting professorship at the Institute for Art History, Aarhus, Denmark, and two visiting professorships at the Institute for Fine Arts and English Department at New York University in 1998 and 2000. The South African Council for Scientific Development sponsored his lectures in Capetown, Durban, and Johannesburg in the summer of 1997, and Duke University invited him to give the Benenson Lectures in Art History in the spring of 2000. In the spring of 2002 he was awarded the Berlin Prize Fellowship to the American Academy in Berlin, and in the fall of 2002 he delivered the Alfonso Reyes Lectures in Mexico City. Other recent lectures include the W. E. B. Du Bois lectures at Harvard, and the Patten Lectures at Indiana University. He was a a research fellow at the Clark Institute for Art History in the fall of 2008, and received the MLA’s 2006 James Russell Lowell Prize in Language and Literature for What Do Pictures Want?. His recent publications include two books: Cloning Terror: The War of Images, September 11 to Abu Ghraib, and Critical Terms in Media Studies (with Mark Hansen). Seeing Through Race, was published by Harvard University Press in the spring of 2012, followed closely in the spring of 2013 by Occupy: Three Inquiries in Disobedience, co-authored with Michael Taussig and Bernard Harcourt. He is currently working on a new book, Seeing Madness: Insanity, Media, and Visual Culture. | |
316 | Name: | James A. Montgomery | | Year Elected: | 1925 | | Class: | 4. Humanities | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1867 | | Death Date: | 2/6/49 | | | |
317 | Name: | Dr. Sally Falk Moore | | Institution: | Peabody Museum, Harvard University | | Year Elected: | 2005 | | Class: | 4. Humanities | | Subdivision: | 403. Cultural Anthropology | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1924 | | Death Date: | May 2, 2021 | | | | | Sally Falk Moore was Professor of Anthropology (emerita) at Harvard University, where she served as Dean of the Graduate School from 1985-89. Intermittently, she also has taught "Anthropological Approaches to Law" at Harvard Law School. She has an L.L.B. from Columbia Law School (1945). Her major anthropological fieldwork has been in East Africa. Her books include Power and Property in Inca Peru (1958), Law as Process (1978), Social Facts and Fabrications: "Customary" Law on Kilimanjaro 1880-1980 (1986), Anthropology and Africa (1994), and most recently a reader, Law and Anthropology (2005). She is a past president of the American Ethnological Society and the Society for Political and Legal Anthropology. She was elected Huxley Medalist and Lecturer for 1999 by the Royal Anthropological Institute and has been awarded the Kalven Prize by the Law and Society Association (2005). She died on May 2, 2021. | |
318 | Name: | Dr. Franco Moretti | | Institution: | Stanford University | | Year Elected: | 2009 | | Class: | 4. Humanities | | Subdivision: | 402b | | Residency: | Resident | | Living? : |
Living
| | Birth Date: | 1950 | | | | | Franco Moretti, the current Danily & Laura Louise Bell Professor of English and Comparative Literature at Stanford University founded the Center for the Study of the Novel at Stanford, a center that has been energetic, lively and imaginative in its promotion of critical discussion of the novel. He has written many culturally significant books, including: Signs Taken for Wonders, 1983; The Way of the World: The Bildungsroman in European Culture, 1987; Modern Epic: The World-System from Goethe to García Márquez, 1995; An Atlas of the European Novel, 1998; Graphs, Maps, Trees: Abstract Models for a Literary History, 2005. He was inducted into the American Academy of Arts & Sciences in 2006. | |
319 | Name: | Charles R. Morey | | Year Elected: | 1938 | | Class: | 4. Humanities | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1878 | | Death Date: | 8/28/55 | | | |
320 | Name: | Dr. Edmund S. Morgan | | Institution: | Yale University | | Year Elected: | 1964 | | Class: | 4. Humanities | | Subdivision: | 404. History of the Arts, Literature, Religion and Sciences | | Residency: | Resident | | Living? : |
Deceased
| | Birth Date: | 1916 | | Death Date: | July 8, 2013 | | | | | Edmund Morgan, Sterling Professor Emeritus at Yale University, wrote dozens of books on Puritan and early colonial history. Acclaimed for both their scholarly focus and their appeal to a general audience, his books include Inventing the People: The Rise of Popular Sovereignty in England and America (1988), which won Columbia University's Bancroft Prize in American History in 1989, and American Slavery, American Freedom (1975), which won the Society of American Historians' Francis Parkman Prize, the Southern Historical Association's Charles S. Sydnor Prize and the American Historical Association's Albert J. Beveridge Award. Two of his early books, Birth of the Republic (1956) and The Puritan Dilemma (1958) were for decades required reading in many school history courses. Dr. Morgan's other works include biographies of Ezra Stiles and Roger Williams as well as a book on George Washington. He is a truly significant interpreter of the colonial period of American history whose skills of analysis and presentation encompass political, intellectual and social history. Edmund Morgan died July 8, 2013, at the age of 97 in New Haven, Connecticut. | |
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