Haas opens her diary with an agenda to maintain a record of readings—and quotations pulled from those readings—as well as her own aspirations. In most entries, she responds to—and often argues with—arguments that she pulls from her diverse reading, which traverses Alcott, Balzac, Beowulf, the Bronte sisters, Dewey, Freud, Gorky, Hardy, Ibsen, Nietzsche, Thackeray, Tolstoy, and Voltaire.
 
For example, in one early entry, she takes Tolstoy to task, writing, "Some kinds of music may dull the mind, but I do not believe that all music dulls the mind. Besides, even music that dulls the mind has its place" (7/15/1928). Often, she uses those theories to rationalize her own artistic process: "Since I have studied psychology, I do not believe that artistic creation is a result of divine inspiration. My hypothesis is that these themes, which seem to be a result of divine inspiration, come in reality from my subconscious mind" (7/30/1928). Elsewhere, she advocates for limits of reason and value of emotions (e.g. 7/29/1928, 7/30/1928, and 11/25/1928).
 
While Haas largely abstains from discussing personal affairs in her correspondence, she includes several diary entries that chronicle her experiences with dating and romance (e.g. 12/2/1928 and 12/7/1930)
 
as one of her New Year's resolutions, she even adds the note: "Should not marry for at least three years" (12/1929). (Curiously, in that entry she also anticipates marrying three times.) Finally, although she mostly focuses on literature and music, Haas also includes several prescient notes on geopolitics, including the role of America in the world (e.g. 7/21/1928 and 8/2/1928) and the ebb of British colonialism (e.g. 8/7/1928).
 
Her diary concludes on 1/3/1931, with Haas enrolled at the University of Chicago, where, despite a full course roster, she plans a supplemental study regimen to guard against over-specialization: "I have planned a course of study for myself, which if carried out, will be more comprehensive than any university education could possibly be unless supplemented by wide reading."

In a diary that spans 1828-31, researchers receive an inside glimpse into Haas's early thinking about art, literature, dating and relationships, and even, to some degree, early-twentieth-century geopolitics. This diary ought to interest researchers interested in the arts, colonialism, psychology, and women's history.
 
Haas opens her diary with an agenda to maintain a record of readings—and quotations pulled from those readings—as well as her own aspirations. In most entries, she responds to—and often argues with—arguments that she pulls from her diverse reading, which traverses Alcott, Balzac, Beowulf, the Bronte sisters, Dewey, Freud, Gorky, Hardy, Ibsen, Nietzsche, Thackeray, Tolstoy, and Voltaire.
 
For example, in one early entry, she takes Tolstoy to task, writing, "Some kinds of music may dull the mind, but I do not believe that all music dulls the mind. Besides, even music that dulls the mind has its place" (7/15/1928). Often, she uses those theories to rationalize her own artistic process: "Since I have studied psychology, I do not believe that artistic creation is a result of divine inspiration. My hypothesis is that these themes, which seem to be a result of divine inspiration, come in reality from my subconscious mind" (7/30/1928). Elsewhere, she advocates for limits of reason and value of emotions (e.g. 7/29/1928, 7/30/1928, and 11/25/1928).
 
While Haas largely abstains from discussing personal affairs in her correspondence, she includes several diary entries that chronicle her experiences with dating and romance (e.g. 12/2/1928 and 12/7/1930)
 
as one of her New Year's resolutions, she even adds the note: "Should not marry for at least three years" (12/1929). (Curiously, in that entry she also anticipates marrying three times.) Finally, although she mostly focuses on literature and music, Haas also includes several prescient notes on geopolitics, including the role of America in the world (e.g. 7/21/1928 and 8/2/1928) and the ebb of British colonialism (e.g. 8/7/1928).
 
Her diary concludes on 1/3/1931, with Haas enrolled at the University of Chicago, where, despite a full course roster, she plans a supplemental study regimen to guard against over-specialization: "I have planned a course of study for myself, which if carried out, will be more comprehensive than any university education could possibly be unless supplemented by wide reading."