The travel journals of Harvard professor, curator, and evolutionary biologist George Gaylord Simpson ought to be near the top research lists of scholars investigating twentieth-century history, travel, conservation, anthropology, and paleontology. Available in seven boxes of handwritten journals, typed pages, carbon copies, and countless ephemera, Simpson's travel writings provide textured insights into his life, research, intellectual, philosophical, and political positions. Over the course of six decades of journaling (1924-1984), Simpson records at least 36 distinct expeditions, traveling to every continent and documenting discoveries in extraordinary detail and literary style. (Consider the locations identified with this note representative rather than comprehensive of his diverse travels.) Noteworthy journals include: Depression-era trips to Patagonia (1931, 1934), an extended tour of Venezuela in the late-1930s (1938-39), trips to Brazil and the Amazon basin (1954-56, 1983-84), a tour to Spain under Franco (1960), expeditions in North Africa and the Middle East just before the Six Day War (1967), visits to Australia (1951, 1968), Fiji (1968), Indonesia (1975), Papua New Guinea (1976), trips to the Galapagos (1970, 1974), expeditions to the Arctic (1974) and Antarctica (1971-73), a trip to Soviet Union during the Cold War (1977), and a tour of China after its economic reforms (1980).; In his travels, Simpson's mastery of detail is matched only by his curiosity and literary flourish. For example, during his 1938-39 Venezuela tour, he discusses everything from population density (4/25/1939) and the work of Catholic missionaries with indigenous populations (1/15/1939) to the sweet coffee in Barquisimeto (9/21/1938) and his method for killing an opossum without damaging its skin (10/6/1938). At times, his reflections blur the boundaries of prose and poetry. In a collection of reminders from his time in Los Robles, he lists: "The noise they make to shoo animals--This can't be written even approximately, something like the clearing of a throat long and viciously. The sound of rain falling on canvas, on bushes, everywhere, the roar of flooding gullies, and slip and thud of landslides. The sound of pigs slashing and shearing by night outside the kitchen. The smell of fresh, heavily roasted coffee being ground…Hillsides brilliant yellow and pale green with mecutera" (12/19/1938). Researchers may anticipate discovering such redolent entries scattered throughout Simpson's journals, as suggested by Selected Quotations. Although items are not individually cataloged, scholars may choose to begin to mine this rich collection using Anne Roe Simpson's "Note on travel diaries."
 

Warner's diaries provide an intimate record of his far-flung travels. Alongside visits to zoological and mineralogical collections, Warner patronizes numerous places of worship, for which he often provides sketches of murals and architectural features. (His most impressive color illustrations begin around March 1863). Notably, he visits a Jewish synagogue in the Netherlands (10/13/1862) and a mosque in the Middle East (3/31/1865). He copies verses from a tombstone (9/8/1862), and when he tours the Egyptian pyramids, he records hieroglyphics (4/26/1865). He encloses descriptions of natural scenes—e.g. the Wetterhorn (8/31/1862) and Rhone Glacier (9/4/1862)—and also urban spaces, including a locomotive works in Amsterdam (1/26/1863), a foundry in Greenock (1/30/1863), a prison in York (4/7/1863), a gypsy settlement in Romania (6/13/1865), and even an early account of the Grand Kremlin Palace (8/2/1868).
 
Throughout those travels, Warner recollects his native Pennsylvania to draw evocative geographic and social comparisons. For example, he equates a town outside Belgrade to Burlington on the Delaware (6/9/1865). Upon meeting a foreman at machine shop, he compares the conditions of the poor in America and Germany (8/25/1862). Of particular note, he compares the governor of Nazareth to a "Philadelphia negro" (4/15/1865).
 
At various points in his travels, Warner is compelled to confront U.S. domestic affairs, most especially the Civil War. For example, traveling by rail in Germany in late-1865, he writes, "Met in the [train] car Mr. Joseph Kommer, Lincoln Logan Co., Illinois, a few months back to Germany, now on his way home via Hamburg. He had served in the Northern Army
 
related many things respecting the war and was a good union man" (11/8/1865). Several years later, he visits a castle where he notes a "revolver presented to the King by President Lincoln" (7/9/1868). Although Warner rarely discusses politics directly, he registers his own political activities and sympathies. For example, he attends a "Peace Society" (5/19/1863), a "temperance tea" (9/15/1863), and a lecture on "dwellings for workingmen" (1/6/1866). He records at least one conversation about U.S. nativist movements, particularly the Astor Place Riots, writing, "Met an Irishman who had been in the U.S. some years ago. He doubted whether the Irish, in New York had been incited—as a clan, especially—to take part in the late New York riots, and on account of jealousy of the blacks as competitors for work—he was further opposed to Mr. Lincoln's emancipation edict" (8/18/1863). In another prescient entry, he records an exchange with a Polish miller about poll taxes. "A miller spoke to me, among other subjects, of Poland," Warner writes. "He said Austria and Prussia assist to subjugate Poland, because 'they are all tyrants together.' Of our country, he said there would soon be poll tax" (9/14/1864).
 
When it comes to the topic of slavery, Warner reveals abolitionist sympathies via ephemera. He encloses a newspaper clipping from "Aborigine Protection Society," after which he remarks on the emigration of freed slaves to Liberia (5/20/1863), and encloses another clipping entitled "Negro Emancipation" (6/17/1863).
 
Scholars of nineteenth century material culture will be richly rewarded by the diaries. Alongside hand-drawn maps of buildings, cities, and architectural features, Warner encloses numerous newspaper clippings (e.g. (1/10/1863), engravings (9/27/1864), advertisements (7/9/1865), and theatrical programs (10/6/1865). While the majority of those materials are in English, some ephemera—and Warner's own entries—are in German, French, or Italian.

With 55 volumes spanning 7/8/1862-11/23/1872, the John Warner diaries provide a detailed account of his time abroad (1862-1868) and travels throughout Europe. Although many entries are devoted to talks and lectures (mostly pertaining to zoology), Warner proves also a studious observer of people, cultures, and cultural and religious institutions, which he records through numerous sketches and ephemera. In fact, these volumes present a wealth of research opportunities for scholars of material culture, thanks to Warner's curation of nineteenth-century newspaper clippings, advertisements, programs, and personal illustrations.
 
Warner's diaries provide an intimate record of his far-flung travels. Alongside visits to zoological and mineralogical collections, Warner patronizes numerous places of worship, for which he often provides sketches of murals and architectural features. (His most impressive color illustrations begin around March 1863). Notably, he visits a Jewish synagogue in the Netherlands (10/13/1862) and a mosque in the Middle East (3/31/1865). He copies verses from a tombstone (9/8/1862), and when he tours the Egyptian pyramids, he records hieroglyphics (4/26/1865). He encloses descriptions of natural scenes—e.g. the Wetterhorn (8/31/1862) and Rhone Glacier (9/4/1862)—and also urban spaces, including a locomotive works in Amsterdam (1/26/1863), a foundry in Greenock (1/30/1863), a prison in York (4/7/1863), a gypsy settlement in Romania (6/13/1865), and even an early account of the Grand Kremlin Palace (8/2/1868).
 
Throughout those travels, Warner recollects his native Pennsylvania to draw evocative geographic and social comparisons. For example, he equates a town outside Belgrade to Burlington on the Delaware (6/9/1865). Upon meeting a foreman at machine shop, he compares the conditions of the poor in America and Germany (8/25/1862). Of particular note, he compares the governor of Nazareth to a "Philadelphia negro" (4/15/1865).
 
At various points in his travels, Warner is compelled to confront U.S. domestic affairs, most especially the Civil War. For example, traveling by rail in Germany in late-1865, he writes, "Met in the [train] car Mr. Joseph Kommer, Lincoln Logan Co., Illinois, a few months back to Germany, now on his way home via Hamburg. He had served in the Northern Army
 
related many things respecting the war and was a good union man" (11/8/1865). Several years later, he visits a castle where he notes a "revolver presented to the King by President Lincoln" (7/9/1868). Although Warner rarely discusses politics directly, he registers his own political activities and sympathies. For example, he attends a "Peace Society" (5/19/1863), a "temperance tea" (9/15/1863), and a lecture on "dwellings for workingmen" (1/6/1866). He records at least one conversation about U.S. nativist movements, particularly the Astor Place Riots, writing, "Met an Irishman who had been in the U.S. some years ago. He doubted whether the Irish, in New York had been incited—as a clan, especially—to take part in the late New York riots, and on account of jealousy of the blacks as competitors for work—he was further opposed to Mr. Lincoln's emancipation edict" (8/18/1863). In another prescient entry, he records an exchange with a Polish miller about poll taxes. "A miller spoke to me, among other subjects, of Poland," Warner writes. "He said Austria and Prussia assist to subjugate Poland, because 'they are all tyrants together.' Of our country, he said there would soon be poll tax" (9/14/1864).
 
When it comes to the topic of slavery, Warner reveals abolitionist sympathies via ephemera. He encloses a newspaper clipping from "Aborigine Protection Society," after which he remarks on the emigration of freed slaves to Liberia (5/20/1863), and encloses another clipping entitled "Negro Emancipation" (6/17/1863).
 
Scholars of nineteenth century material culture will be richly rewarded by the diaries. Alongside hand-drawn maps of buildings, cities, and architectural features, Warner encloses numerous newspaper clippings (e.g. (1/10/1863), engravings (9/27/1864), advertisements (7/9/1865), and theatrical programs (10/6/1865). While the majority of those materials are in English, some ephemera—and Warner's own entries—are in German, French, or Italian.