Seated figure to below waist, both hands holding book. Wearing white shirt, blue tie, academic robes. Signed: "Cameron Burnside 1941" on lower right corner.

Small still-life portrait of fruit on wooden table. Previously attributed to Rubens or Raphaelle Peale.

Half-length portrait, subject facing forward. Wearing dark suit, white shirt, striped tie. Marked "Greenewalt" on lower right corner.

Seated frontally, with his gaze directed toward the viewer, the subject leans on his elbow, his right hand and extended index finger raised to his right cheek. His face is rendered flatly with a thin-lipped mouth, rosy cheeks, and blue eyes beneath a broad brow. The fifth finger of his hand is adorned with a gold (and possibly ruby or seal) ring. His clothes include a black coat atop a waistcoat and a white cravat. To his right is a table covered with a red cloth; on the table are several bound volumes and sheaves of papers. The background consists of an off-white studio drape.

Seated subject, wearing judge's robes, shirt and tie visible. Holding glasses in left hand. Burgundy background.

Extended bust-length portrait with body turned slightly to the left, in front of a dark tan background. The subject has gray hair, dark gray eyes, and a clear complexion. He wears a black coat and white neckcloth. Unsigned and undated.

Rembrandt Peale painted this half-length portrait of William Tilghman in 1829, copying his own original 1819 portrait. Seated frontally, the sitter directs his gaze toward the viewer’s left in three-quarter profile. Tilghman wears a dark overcoat and a translucent white cravat tied in a loose bow at the neck. His somewhat rectangular face is rendered in fleshy detail, with a naturalistically figured double chin, sagging cheeks, and clear eyes. Tilghman is seated on a red leather chair with brass rivets in front of a plain background.

Portrait of figure, body turned to the right, head turned facing center. The subject has white hair, and wears a white shirt and cravat and a dark jacket.

Three-quarter length figure, body to his right with 3/4 view of face. Bald head, white hair at back with beard and moustache. Black suit, white collar and dark colored tie. Inscribed on upper left corner: "To My Friend Minis Hayes MD/Lazar Raditz/ April 5th 1917."

Three-quarter length seated figure, elbows on arms of chair, right hand holding gray hat in lap. Wearing gray suit, white shirt, black tie. Seated on upholstered chair with wooden fram and arms. Blue background. Signed "Nikol Schattenstein NY" on lower left corner.

Half-length seated figure, head turned right, leaning on left hand, elbow on table. Wearing black coat, gold waistcoat, white scarf with bow. Corner of table and part of book visible in lower right corner. After 1814 portrait by Thomas Sully.