A companion volume of albumen prints taken by William Bradford and other members of the "Panther", in Greenland, in the summer of 1869. This voyage is described in Hayes, I. I. The Land of Desolation; William Bradford was the Captain of the Panther.

A shadowy figure at best, the artist Antonio Zeno Shindler worked at the Smithsonian Institution from after the Civil War until the turn of the 20th century, specializing in ethnographic subjects. He was responsible for printing or taking a large number of photographs of American Indians exhibited there in 1869. The 95 studio portraits in the Shindler Collection were part of a suite of 301 images that comprised the first photographic exhibition at the Smithsonian, and that are documented in the catalogue Photographic Portraits of North American Indians in the Gallery of the Smithsonian Institution (1867). The individuals depicted were members of delegations sent to Washington during the years 1852, 1857-1858, and 1867-1869 from the following nations: Cherokee, Cheyenne, Chippewa, Choctaw, Dakota Sioux (Brule, Miniconjou, Sans Arc, Santee, Sisseton, Two-Kettle, Yankton), Osage, Pawnee, Ponca, Potawatomi, Sac and Fox, Seminole, and Ute. Shindler printed the earlier photographs (mostly taken by the McClees Gallery) and was photographer for the later delegations.

A traveler, archaeologist, and photographer, Désiré Charnay (1828-1915) was one of the most important early expeditionary photographers. During his tours of Yucatan, Oaxaca, and Chiapas in 1858-1860 and 1880-1886, Charnay became one of the first to use photography in documenting the great Meso-American archaeological sites and to make ethnographic photographs of indigenous Mexicans. His major publications Cités et Ruines Américaines (Paris, 1862) and Les Anciennes Villes du Nouveau Monde (Paris, 1885) are important transitional works to the later scientific archaeology of Alfred Maudslay. The collection of photographs taken by Desire Charnay are representative of the range of images he took of Meso-American archaeological sites during three tours of Mexico in 1858-1860 and 1880-1886. Although some of the images have suffered an unfortunate degree of fading, they convey the power and fascination that these sites held for Charnay and his contemporaries, and include some of the best early examples of the use of photography in the documentation of Mexican archaeology. The collection includes 123 images of the sites at Tula, Teotihuacan, Iztaccihuatl, Chichen Itza, Comalcalco, and Palenque, of archaeological specimens held at the Museum of Mexico, and of landscape and villages in Yucatan, Chiapas, and Oaxaca, as well as a series of Lacandon, Mayan, Mixtec, and Yucatec "racial types."

The United States Indian School at Carlisle, Pa., was founded by Gen. Richard Henry Pratt in 1879, and served as a model for government boarding schools for Indians until its closure in 1918. Over 10,000 students enrolled at the Carlisle Training School during its 39 years, where, separated from their native cultures, the students were prepared for work in industrial and manual labor and socialized into "civilized" life. Given new white names to replace their Indian ones, the students were prohibited from speaking their native languages, were instructed in Christianity, and were fed, clothed, and housed under strict military discipline. The 27 photographs in the Speck-Choate Photograph Collection were taken by J. N. Choate, a local commercial photographer in Carlisle, Pa., and collected by the anthropologist Frank G. Speck. Choate advertised "Photographs of all the Indian Chiefs that have visited the Indian Training School at Carlisle Barracks, also of children in native and school costumes" and were intended to document the benefits of civilization that the school brought to Indians. Typical images include "before and after" shots of students in native dress and school uniforms, the school band, and shots of the students at work in the saddle shop and making shoes. Choate also took a number of images of visiting chiefs in traditional dress, including the Lakota chief Spotted Tail, and the Cheyennes Man on Cloud and Mad Wolf. One photograph depicts Richard Henry Pratt seated with Quaker supporters. Among the tribes represented are the Lakota, Laguna, Cheyenne, Creek, Lipan, and Pueblo.

This is primarily a collection of letters, with some additional documents, concerning Young's interest in botany, geology, mineralogy, and natural history. There is information about Bowdoin College, where he studied under Parker Cleaveland. There is also much on the natural history of Maine, where he was the State Botanist in 1847-1849, and also on the Bangor Natural History Society. There are materials on Brazil in relation to Young's service there as the U.S. consul to Rio Grande do Sul from 1863 to 1873. There are also letters from his brother, John C. Young, and his sister, Sarah Augusta Young.

This online guide brings together photographs, engravings, lithographs, and paintings from a legacy APS collection known as the Prints and Photographs collection. The guide was created to provide online access to descriptive information for prints and photographs that were not associated with manuscripts collections. Some of these items are also described in the APS online public access catalog for printed materials. An in-house Print Collection card file arranged by name and subject provides item-level access to some of the items below and additional prints and photographs that do not yet have online descriptions. Former designations for these included the following: Persons, Places and things, Group pictures, Collections (manuscripts); Oversize--Persons, Oversize--Places and things, and Oversize--Collections (manuscripts). When researching at the library, please consult with reference staff to locate these items.

A small collection rich in imagery, the Ellen Lehman Native American Photograph Collection consists of 19 albumen prints of late nineteenth-century Native American leaders on cabinet cards. The bulk of the images date from the 1880s and portray important members of the Dakota Indian tribes, many of whom fought against the 7th Cavalry of the U.S. Army at the Battle of the Little Bighorn in 1876. Among the leaders depicted are: Sitting Bull, Gall, Rain in the Face, Crow King, and White Bull. The collection also includes two images of Geronimo, the Bedonkohe Apache leader who resisted Mexican and American expansion in the Southwest in the latter half of the nineteenth century. The majority of the photographs in the collection were taken by David Francis Barry, with Orlando Scott Goff and George W. Scott also contributing.

During the half century leading up to the Second World War, Franz Boas helped to define academic anthropology in the United States. Trained as a geographer at the University of Heidelberg, Boas worked initially on the Inuit of Baffin Island and subsequently on the cultures of the Indians of the Northwest Pacific Coast, becoming a leading figure in American anthropology by the first decade of the twentieth century. As Professor of Anthropology at Columbia University, Boas made significant theoretical contributions to ethnology, linguistics, and physical anthropology, helping to ingrain the four fields approach in his discipline and introducing the concept of cultural relativism into wide currency. He was, as well, a committed Socialist and an ardent opponent of both racism and fascism. This collection includes correspondence that Boas carried on with his colleagues in anthropology, as well as with those in the other social sciences and sciences. This correspondence is rich as a source for twentieth-century historians interested in "radical" social causes, since Boas was a socialist and an outspoken voice for progressive social causes.

Anthropologist and ethnographer Frank Gouldsmith Speck was one of Franz Boas' early graduate students and from 1907 till his death in 1950 spent his career in a variety of positions at the University of Pennsylvania, including its Museum of Archaeology and Anthropology. Unlike most of his contemporaries, Speck chose to study the cultures of Indigenous peoples of eastern North America, especially the Haudenosaunee, Cherokee, and peoples speaking Algonquian languages, such as Anishinaabe, Wabanaki, Innu, Lenape, and other Algonquian peoples within the eastern United States. Speck spent a larger amounnt of time in the field than was typical of most ethnographers, collecting documentary information and physical objects. The Frank G. Speck Papers consist of 15.5 linear feet of Speck's professional correspondence, field notes, lecture notes, and manuscripts of published and unpublished works. The material focuses on the Eastern Woodlands Indians, particularly the Catawba, Cherokee, Creek, Delaware, Houma, Haudenosaunee ("Iroquois"), Labrador Inuit ("Eskimo"), Innu ("Montagnais-Naskapi"), Nanticoke, Penobscot, Powhatan, Algonquian, and Yuchi. The collection is divided into two subcollections: Subcollection 1 is comprised of Speck's research material and correspondence, and Subcollection 2 consists of his manuscripts and related correspondence. The two subcollections were acquired separately by the Society, and were originally cataloged as the Frank G. Speck Papers (572.97 Sp3) and the Frank G. Speck Manuscripts on Native Americans (970.3 Sp3p) respectively.